Halfway between the autobiography, the adventure story, the manifesto and the catalogue, this publication traces twenty-five years of travels, explorations, and encounters by artist-explorer Till Roeskens.

An oversized artists' book celebrating Pink and Evil: 16 pages for Ciou and her witches + 16 pages for Malojo and his monsters.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell'Informatica Funzionante (Working IT museum); articles on Artworks & defunct software, embracing social life & forgetfulness, sound reconfigurations, reports on Bio-Fiction 2014, Transmediale 2015, Sonic Acts 2015, Accès)s( #14, records and books reviews...

This artist's book and first monograph gives an insight into Thomas Jeames's nomadic and diversified practice, influenced by the underground culture and DIY graphic design. Jeames' collages, drawings, trips, experiences, and videos reflect the burlesque poetry of this remarkable draughtsman and iconographer.

A singular series of photographs exploring the theme of alternative therapies.

Compilation of photographs taken by Carla Pérez Vas, composer and guitar player with music band Mourn, during her first North-American tour.

Publication exploiting the book's physicality as a metaphorical space to express the artist's feelings after a breakup.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

Last Words is a dual-input device: a book associated with a sound piece built from the last statements of all inmates executed in Texas since the resumption of executions on December 7, 1982.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

Artist's book based on a complex project linking Vernasca, Ethiopia and Jamaica according to two points of view, placing certain critical moments in Italy's colonial history in relation to the symbolism of Rastafarian tradition.

First monograph.

Reference monograph.

Alberto García del Castillo's first novel is a comedy-science-fiction novelette about “faggotry” and the art world; depicting a retour-au-passé in contemporary painting and waving to some of the most beautiful homosexuals on Earth.

Catalogue.

Katja Eydel's photographic body of work.

Reference monograph.

Catalogue / artist's book.

First monograph.

New monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Catalogue.

Reference monograph.

Artist's book.

Curating A-Z.

A both ambivalent and poetic narrative written by Canadian author and artist Simon Brown.

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.

Czech artists of the 1960s–1970s.

An adventure exploring drifts in translation (artist's book).

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

Artist's book by the avant-garde designer Susan Cianciolo.

The photography book Kracauer. Photographic Archive is a collection of previously unpublished photographic material from the estate of the sociologist, philosopher, journalist and film and photograph theorist Siegfried Kracauer.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

Artist's book.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

A collaborative artist's book with Véronique Verstraete and eight associated authors.