First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

Monographic study on the work of artist Lawrence Abu Hamdan on the perception of language, sound, and listening.

Around the Palais de Tokyo's programme dedicated to urban art, Palais magazine is devoting its latest issue to artists whose work has been developed in the street.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

The new novel by Keren Cytter: an incomplete guide for life.

A polemical essay targeting the moral economy of indeterminacy in contemporary art.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Companion book to Basim Madgy's eponymous video: a dreamlike tale about the ocean and its secrets.

First reissue of the 1981 album by the legendary Hastings of Malawi featuring a founding member of Nurse with Wound and Pat Simmons. Reissued on red vinyl, like the original pressing, this classic masterpiece sits on the end of a line from Dada through the Situationist International to punk rock.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

De Sardes' photographic wanderings in and around Beirut: an impressionist two-sided journey between day and night, dream and documentary.

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

The 2016-2017 edition of most complete paper pocket guide to the art world. A selection of art events, an art fairs agenda and listings from more than 50 countries.

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

In the October issue of Artforum: a feature on cover artist Lillian Schwartz, a portfolio by Carmen Herrera, Homi K. Bahba on William Kentridge, Chris Kraus on Julie Becker and newly published writings by Donald Judd. Plus, Nikolas Gambaroff's Top Ten and exhibition reviews from New York, Brescia, Dublin, Beirut, Sydney, and more.

Art magazines as exhibition objects and spaces.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This second issue focuses on Jim Shaw's Californian youth between the late 1950s and the beginning of the 1970s.

A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.

This artist's book documents the wind and weather conditions around the German Pavilion of the 56th Venice Biennial, which were recorded over the period of Nicolai's exhibition by a weather station positioned on the roof (limited, numbered and signed edition).

A Step Towards the Sea tells the relationship between the artist and Italy through a selection of installation views and video works. The accompanying DVD includes an unreleased film and a documentation on every actions carried out in Italy by Signer since the 1990s.

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Artist's book (photographs and texts).

A case study about concept cars and former modernist memories (artist's book).

Reprint of the multiple produced by Philippe Cazal in 1972.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

The script for Joseph, the new film by Peter Greenaway, an ironic portrayal of the figure of Joseph, father of Jesus. Here, God—“the other father”—becomes, in Greenaway's words, “vulnerable to jealousy… since he has a rival on earth.”

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.