A collection of notes written along the years by Spanish curator and Head of Institut Kunst in Basel Chus Martínez. Aimed at her students, this notebook gathers personal thoughts on artists who inspire Martínez's ongoing practice.

Catalogue documenting a project that entertwines Georg Keller artistic one-man enterprise with Switzerland's biggest department store chain Manor. Interviews with employees at various levels of the corporate hierarchy form the first thread of the narrative. The second delves into the artist's creative work.

A collection of previously unpublished texts and drawings (artist's book).

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

Near Future Laboratories, Brendan Howell, Julian Priest, Jason Kahn, Robert Pravda, Nicolas Maigret and Maria Roszkowska, Liam Young, Cinema Lascado exhibition, Cinnamon Colomboscope 2016, news and reviews in hacktivism, emusic and new media art…

High Winds is an artist's book written by Sylvan Oswald, with graphics by Jessica Fleischmann. This “western phantasmagoria” is a bedtime book for adults based on Oswald's experiences with insomnia, gender transition, and moving to Los Angeles.

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

An important work by American artist Mel Bochner yet strangely it remains little-known.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

Taking as a point of departure a photograph of actress Jane Fonda in Vietnam, Jean-Luc Godard and Jean-Pierre Gorin reflect on the role of intellectuals in the revolutionary process. Originally published in 1972, this Letter to Jane is one of the last texts issued by the two founders of the Dziga Vertov Group.

New Facsimile edition of a brochure published on the occasion of an eponymous exhibition at Centre genevois de gravure contemporaine in 1995.

Taking as a point of departure a photograph of actress Jane Fonda in Vietnam, Jean-Luc Godard and Jean-Pierre Gorin reflect on the role of intellectuals in the revolutionary process. Originally published in 1972, this Letter to Jane is one of the last texts issued by the two founders of the Dziga Vertov Group.

A very personal project that brings together a group of forty recent works—twelve oil paintings, twenty ink drawings and eight pastels—dedicated to his companion and muse, Alba, on the occasion of their fortieth wedding anniversary. Includes two original poems by Enrique Juncosa & Vincent Katz.

This volume looks at a central aspect of Livio Vacchini's research: his drawings. The publication gives an overview of the Swiss architect's work with an unpublished selection of drawings—plans, cross sections, and facades. It also features an essay by architect Roberto Masiero.

This publication gathers drawings, paintings and silkscreens, as well as references to readings that nourish both Atelier McClane's reflection and editorial work. All of that constitutes a reflexive system about their practice.

A series of 26 prints of lithographic stones, reflecting on Ed Ruscha's work (artist's book).

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

This collaborative artist's book is a work of fiction set in a Kafkaesque world where creativity is a criminal offence and artists are imprisonned. Alexandra Grant's text, the testimony of the prison's warden, is powerfully illustrated by Eve Wood's drawings.

In (ZUS), a visual essay by the French photographer Benoît Fougeirol, views of and views from eleven of the “Zones urbaines sensibles” (Sensitive Urban Zones) on the peripheries of Paris reveal harsh paradoxes of modern society. The series is accompanied by a text by author Jean-Christophe Bailly.

A series of sculptures set in a roofless exhibition space in Merida, Mexico.

A dense and enlightening analysis of the “signature” and the development of the story of Marcel Duchamp's Fountain in its historical integration.

This publication collects black and white photographs taken at apartment viewings in Berlin, London and Zürich in 2015. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces.

Photographic companion book to the film La controfigura (“The stand-in”) by Rä di Martino: the tale of a cinema troupe in Marrakech trying to shoot the remake of The Swimmer, the 1968 film with Burt Lancaster, based on a short story of the same name by John Cheever.

A compilation of restaurants receipts collected between Rome and Berlin on which the British conceptual artist reproduced images of works by other artists (Luciano Fabro, Donald Judd, Andy Warhol, Jenny Holzer, André Cadere, Maurizio Cattelan…). Far from being innocent, this appropriationist gesture reflects on the art world economics while displaying a panorama of art history, stretching from the 1960s to the present day.

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

A collection of misprinted sheets originating from books designed by graphic designer Manuel Raeder: a “behind the scene” project, which documents the early stage of book production and its conventions.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

Limited edition of the notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts, and an original work, numbered and signed, printed on various formats (1920's coal mining register, books pages, card stock).

Notebook from the South African artist featuring fountain pen's drawings and writings with inserted typescripts.

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

Issue of the Cahiers du Centre Dürrenmatt Neuchâtel dedicated to French artist Jean-Christophe Norman with essays by Jean-Michel Espitallier, Patrice Joly, Frank Smith, Ulrich Weber, and an original work by Norman inspired by Swiss writer Friedrich Dürrenmatt's library.

The best of 2016: Seventeen distinguished contributors consider the year in art; “The Artists' Artists,” reflections of the most striking single work, event or exhibition of 2016; Top Tens on the best in film, music, books, and performance from John Waters, Angel Olsen, and Terry Castle, and a special section on “The Year In Shock.”

With this collage book Polish artist Olga Lewicka draws an illuminating parallel between the visual and cultural history of clouds and the historical development and structures of capitalist and neo-liberal society.

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

First monograph by New York-based Thai artist Korakrit Arunanondchai, this publication is the first extensive presentation of the artist's video trilogy Painting with History, which ambitiously addresses a digital native's relationship with art history, spirituality, globalization, technology and self-promotion.

Writer Emanuele Trevi and photographer Giovanna Silva recount, each in their own manner, their journey with artist Luigi Ontani in Bali at the time of the preparation of the Ogoh Ogoh carnival procession. With original illustrations by Ontani.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

The publication sheds light on the 20-year history of the presence of French artists in Germany through the voices of selected representatives of the German art scene (on the occasion of the 20th anniversary of the Bureau des arts plastiques in Berlin).

An analysis of the posthumous interpretations of Brancusi's life and work, and of the political use of the Romanian sculptor as a nationalist figure.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

A collection of essays that imagines the migration of cultural signs across borders, of body language as the inalienable signs we carry with us, even if they are the only luggage we are able to carry. By placing history alongside artistic mutations, Body luggage asks questions of how avant-garde forms transmit or are provoked.

Reconstitution of a comic book appearing at the beginning of the film Fahrenheit 451 by François Truffaut. With this publication, Spanish artist Francesc Ruiz also questions the status of the comic book at the time the film was made and also within the dystopian universe originally created by Ray Bradbury.

An introduction to the notion of behavioral object based upon a case study on three emblematic works by Céleste Boursier-Mougenot.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

Publication documenting a series of sculptural works focusing on everyday items.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.