First comprehensive monograph: in-depth survey of İpek Duben's oeuvre spanning more than four decades.

New monograph.

A journey through the artist's work and life.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A collection of photographs of couples, as evocative as they are mysterious.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Art, empathy and political solidarity.

Multivocal and anonymous, A Strange Adventure is oral-history-as-theater—the theater of memory, trauma, and torture.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Accattone #8 addresses matters of construction in relation to time, use, change and technical knowledge against the backdrop of the "negative commons" inherited from the productivist society of the past century—"zombie" habits, desires, products and processes that our contemporary condition can no longer sustain, yet cannot help but reproduce.

A series of “Bad Paintings” by the Geneva-based artist.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

Conversation on art, real and imaginary, in 13 tableaux between ex-Action directe member Jann-Marc Rouillan and painter Laurent Marissal.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

A book bringing together about 160 portraits of artists when they were "about" five years old.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

An artist's edition by Miljohn Ruperto comprising three flipbooks and an accordion-fold booklet, that examines different forms of time.

An overview of the career of Amerindian composer and artist Raven Chacon.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

New monograph.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records, an album showcasing six mesmerizing and rhythmically intricate electronic compositions.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

Ghislaine Leung, Vaginal Davis, Joan Jonas, Vera Molnar, Vanessa Conte, Raven Chacon, Teruko Yokoi...

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade.