As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

The Black Flame of Paradise is the first novel by American artist Zachary Cahill. The book is a proposition for a new model of religious life grounded in the artistic and personal relations to the divine.

This catalogue documents an eponymous exhibition by the British artist inspired by the daily lives of astronauts in space. The publication presents a series of images of the exhibition together with unpublished photos by the NASA. The book also includes a conversation between the artist and Victor Buchli, a NASA astronaut.

The first artist book by Athena Papadopoulos conceived as a diary and a novel. The publication is a collection of drawings and thoughts of the artist in the form of a romance, published in two different editions.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

Artist's book.

Charlotte Birnbaum meets with Gilbert & George to discuss The Meal—a culinary performance organized in 1969 by the British duo, with David Hockney as the guest of honor. Also included here are photos and memorabilia from the singular event (the sixth publication in the On the Table series, that explore the encounter between food and art).

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

This publication brings together two early works by Heimo Zobernig, Farben and Alphabet.

This monograph reflects on Michel Journiac's body of work through the prism of transvestism. With great iconography from the Journiac's archives, the publication focuses on his photographic performances, combining analyzes by authors and specialists and texts by the artist, one of the great body art's precursors.

Never released before: on the occasion of the 60th anniversary of the GRM, the composer François Bayle introduces us to some of his unpublished archives.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

Focusing on a lesser known aspect of Walter Pfeiffer's practice, this monograph explores the Swiss photographer's graphic works throughout the decades: large-scale hyper-realistic pencil drawings, drawings in China ink, colored pencils and watercolors, characterized by a joyful sensuality that emanates from his portraits of friends and his floral still lifes.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

This artist's book is part of a choreographic project exploring the body/object relationship. It features a photographic series which juxtaposes performers' bodies and objects, creating contradictory associations. The publication also includes two texts by Paul B. Preciado: an essay on the philosophy of movement, and a poem on sexual subjectivity, written with artificial intelligence.

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.

Artistic practices and psychotropic drugs: a recent history of psilocybe in art; Nan Goldin; Bryan Lewis Saunders: self-portraits under the influence; Colleen Wolstenholme; Jeremy Shaw; Christian Skjødt; reviews and selected publications…

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

This publication looks back at Manoukian's pictorial work, focusing on the 70s and 80s periods of her practice. It includes an essay by Gregory Buchakjian, a chronology by Aline Manoukian, and an interview with the artist by Kristine Khouri.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

Nearly 20 years after the publication of his first inventory, Éric Watier has collected 100 new examples of artworks deliberately destroyed by their creators. This new edition combines 200 destruction cases in one volume.

This first novel tells the story of performing art producers who travel around the world looking for new artists. The protagonists will be confronted with the realities of globalization, its promises, its violence and its lures. An enlightening reflection on the role and limits of creation in the transformation of the world.

Artist's edition: a set of folded posters between two cardboard plates held by elastic bands, featuring a series of black & white female nude by the famous fashion photographer, set in a bus on a rainy night.

Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

New compositions for ancient Korean instrument: the Geomungo.

This publication presents an overview of the Zurich photographer's work as well as a very personal record of the Swiss and European arts scene of the past sixty years. Edited by Barbara Stauss, it's also a daughter's tribute to her father on his 80th birthday.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

A conversation with French artist Céline Ahond whose work—from video and objects to performance and collaborative acts—questions the place of the individual, power relations, the territory, and the eventuality of freedom.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

Fully documenting Koki Tanaka's latest video & photo project, this publication focuses on a pressing issue from the artist's native country—the mutual incomprehension and mistrust between Zainichi Koreans and ethnic Japanese—to plead for vigilance when it comes to racism and discrimination.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

This catalogue looks back at Hartung's artistic production and life during the Second World War.

Summary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artist's book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction.