Polaroid works.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

This catalogue aims to document the creative process behind Zoete's work, starting from preliminary drawings to the completion of his models, sculptures, and architectural constructions. Essays and iconography offer a complete exploration of the Belgian's practice, which builds on the legacies of the German Bauhaus and Russian Constructivism.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio. This Artist Edition includes an additional 7" record, engraved with an exclusive track on one side and etched with a Charlemagne Palestine drawing on the other.

Studies for paintings and sculptures.

Monograph showcasing 18 years of practice by the Swiss photographer. Alternating snapshots, self-portraits, documentary and fashion photography, pictures of arranged landscapes, buildings, people, and furniture, this publication provides a wide overview of Wassmann's artistic approach through associative sequences weaving on a loose narrative, like a stream of consciousness.

This graphic anthology is dedicated to Elvifrance, the scandalous French publisher of erotic comic books whose catalogue was under the fierce scrutiny of French censorship authorities from the 1970s to the 1990s. The publication takes a look back at this infamous history through many unpublished archives and a wide selection of covers. It also features an ensemble of covers revisited by some forty contemporary graphic artists.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

This catalogue focuses on an immersive one-year project in Portugal, centered around questions of global ecology and tourism. Kawamata's large scale installation integrates both plastic residues and abandoned boats collected on Portugal's shores during beach cleaning campaigns. The publication features a text by the artist, exhibition views, and a section documenting related projects made by Kawamata throughout his career.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

The best of 2018: a renowned group of critics, artists, and curators from around the world—Kerry James Marshall, Johanna Fateman, Helen Molesworth, Douglas Crimp, Eungie Joo, Jack Bankowsky, David Rimanelli, Catherine Wood, Caroline Busta, Lanka Tattersall, Harry Cooper, Pauline Yao, and Claire Tancons—take stock of the year in art. 38 artists from around the world choose the most striking work, event, or exhibition of the year with responses from Kerry James Marshall, Barbara Kreuger, Genesis Breyer P-Orridge, and more. Plus, Top Tens on the best in film, music, books, and performance from John Waters, Vaginal Davis, and Melissa Anderson, and a special section on “The Year In Monsters.

A series of hallucinatory illustrations inspired by psychedelic art and the darkest side of fairy tales.

A selection of about 2.000 mail art works on paper (drawings, collages…) created between 1991-1994 by the artists' trio. They would mail each other pictures, repeatedly overpainting and adding to them until they comprised several layers. Each book cover is unique, individually designed by Eric Schumacher and Andrea Clavadetscher.

Tennis Courts III completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

Varia issue: Italo disco; French singer Olivia Ruiz; DIY punk fanzines in Russia; the political dimension of Ornette Coleman's music; Pop hits and new media strategy; interview with David Novak on Japanese noise; interview with Simon Frith on progressive rock. Illustrated with a selection of concert flyers.

This catalogue gives a critical overview of a key American Pop artist focusing on specific themes within his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze, and strategies of indeterminacy. Includes essays by Chris Sharp and Sabrina Tarasoff.

This publication is the first in a series of books dedicated to the exhibitions at the Fondation Salomon in Annecy, France. It examines the work of French artist Charles Le Hyaric with an essay by art historian and critic Ann Hindry.

A collection of experimental poetry.

This artist's book presents a collection of parking tickets from a private hospital in which the artist was admitted. The tickets are colored with the help of a color chart created from photographs of morning skies and of flowers his sister brought him.

This catalogue documents a collective exhibition program inspired by the writings of Charles Fourier. “L'Écart absolu” is a dialogue between architecture, artistic heritage and contemporary works, in which artists come together, interact and experiment on the edge of design, visual arts, decorative arts and applied arts.

This monographic catalogue explores the artistic activity of Virginie Barré over the last ten years, focusing on her video works and their poetic themes from childhood to dreams.

Since 2003, Thomas Hirschhorn has produced large drawings of about three by four by himself, or with the philosopher Marcus Steinweg, which he calls "Maps", in which he interacts with colored images, fragments of texts and his own comments. This volume focuses on this particular aspect of his practice.

The second issue of the magazine FREEING (Our Bodies) is dedicated to the musical work of Frédéric Acquaviva: some forty prestigious contributors (Jean-François Bory, Broutin, Laurent Cauwet, Henri Chopin, Jacques Donguy, Michel Giroud, Bernard Heidsieck, Joël Hubaut, Dorothy Iannone, Otto Muehl, Virgile Novarina, ORLAN, Jean-Luc Parant…) examine and pay tribute to this original creator through poetic texts, portraits, drawings, photographs, interviews, chronicles…

Concerto for town and voice created from recordings collected the same day in London and Paris, and illuminated by the voice of mezzo-soprano Loré Lixenberg.

Conceived as rendering of a live concept the Berlin based duo of Tony Buck and Magda Mayas have been developing during one year or so, featuring multi-speaker and multi-layered audio, the essence of Stereo sees SPILL performing in the studio, improvising and reacting to previously recorded improvisations and pre-structured, pre-recorded elements.

The most important monograph to date on Stéphane Blanquet: designed by the artist, the publication gathers ancient works and new ones, created for his exhibition at Auberive Abbey in France. Drawings, terracotta, tapestries, lithographs, photographs… This monograph provides a broad look at Blanquet's erotic and nightmarish universe.

A collaborative 2-CD album by Japan noise legend Masami Akita alias Merzbow and Czech seven-member ensemble Opening Performance Orchestra. The first CD features four folk-inspired Merzbow compositions. The second CD gathers two live recordings of the Opening, made in Tokyo and Prague.

In 2017, Shane Lavalette crossed Switzerland to do a photo essay on Swiss rural life. To that end, he followed the itinerary taken some eighty years ago by Swiss photojournalism pioneer Theo Frey. This publication juxtaposes these old and new views of the Swiss countryside to offer up an unusual and moving portrait of a nation.

Produced as a follow-up to three previous publications edited by Mamco between 2010 and 2017, this monograph is a compilation of found images associated with Yvan Salomone's own photographs. It also features an interview with the artist and new essays examining his practice.

Epistolary portrait of a seaman by his daughter (artist's book).

José de Jesús “Chucho” León Hernández is a part of Mexico City's nightlife. For over twenty years he has been photographing the city's vibrant music scene, the carryings-on at underground venues and gay clubs, the newcomers and leavers, rising stars and departing legends.

A palimpsest reconstruction of French Jesuit missionary Alexandre de Rhodes's (1591–1660) Rhodes of Viet Nam: The Travels and Missions of Father Alexandre de Rhodes in China and Other Kingdoms of the Orient, originally published in 1653 (artists' book).

A photographic journey in search of the very last bluesmen. The birth of a vocation for the Italian photographer.

This publication accompanies Torbjørn Rødland's touring exhibition “Fifth Honeymoon,” featuring thirty new photographs and a new video work, his first in eleven years, as well as newly commissioned essays by the American writer and cultural theorist Sianne Ngai and artist colleague Matias Faldbakken.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

This monograph offers a portrait of over a decade of work by international artist Andrea Galvani. It is a visual excavation into the rigorous research, scientific methodologies, and philosophical thought that underscore his practice. His most notable projects are examined through essays, field notes, calculations, cartographies… in support of a better understanding of a both demanding and fascinating work.

As her first comprehensive publication, this catalogue surveys the multi-facetted oeuvre of the Greek artist/social activist Georgia Sagri. Across performance, video work, and sculpture, she explores the murky relationships between the artist's body and her body of work, subjectivity and persona, original and reproduction with equal parts humor and severity.

The Black Flame of Paradise is the first novel by American artist Zachary Cahill. The book is a proposition for a new model of religious life grounded in the artistic and personal relations to the divine.

This catalogue documents an eponymous exhibition by the British artist inspired by the daily lives of astronauts in space. The publication presents a series of images of the exhibition together with unpublished photos by the NASA. The book also includes a conversation between the artist and Victor Buchli, a NASA astronaut.

The first artist book by Athena Papadopoulos conceived as a diary and a novel. The publication is a collection of drawings and thoughts of the artist in the form of a romance, published in two different editions.

A relecture of of the European Pop Art through a selection of works stemming from private collections.

The late Belgian artist Guy Mees has been a central figure of Antwerp's art scene since the 1970s. This catalogue features emblematic works and unpublished archival materials from the artist's creative phases spanning the 1960s to 2000s; two unpublished essays, and an interview with the artist.

A poetic portrait of Francis Bacon, inspired by the artist's own archives.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This publication emerges from Uriel Orlow's Theatrum Botanicum (2015–18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics, in South Africa and Europe. It brings together documents on the project, and a series of commissioned essays.

Artist's book.