A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

New monograph.

New monograph.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Masayuki Takayanagi's legendary “lost” album.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Artist's book.

The script of Harmony Korine's new movie The Beach Bum.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

Art, destruction and creation.

Comprehensive monograph.

Art beyond good and evil.

Anniversary special issue: a return on 25 years of reviews.

An essay on Philippe Beck, Jean-Paul Curnier and Michel Surya.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation, centered around a long unpublished transcript of a talk poem by David Antin.

The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

First monograph on Swiss painter Sylvain Croci-Torti.

This collection assembles key essays of Reiner Schürmann centering on the concepts of anarchy and the singularization to come. Setting out from the question of the status of practical philosophy at the end of metaphysics, these texts track the crucial role of Schürmann's engagement with the work of Michel Foucault between 1983 and 1991.

Yvan Etienne's new sound composition (Serge Modular, field recording).

Yvan Etienne's new sound composition (Serge Modular, field recording).

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

Blanquet's new notebook of fantastic and phantasmagorical drawings, in red ink mixed with green.

A dialogue of the drums.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

Available for the first time ever on vinyl, one of Bill Laswell's masterpieces, the meditative ethno-ambient project inspired by the holy region of Banaras in India, in collaboration with Coil, Tetsu Inoue and Trilok Gurtu.

A rereading of the work of the Swiss architect.

An original fable at war against the founding books of monotheisms (unpublished text of 1963).

One of Levinas' rare statements focusing on the fine arts.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

A special issue about Art and Activism: Claire Bishop on the art of political timing, Christopher Glazek on Nan Goldin and the Sacklers, and Joan Kee on law by art. Plus Ralph Runoff talks with Daniel Birnbaum about the 58th Venice Biennale, James Quant on Olivier Assayas's Non-Fiction, Summer Previews with 40 exhibitions worldwide and much more.

A travel diary / a screenplay.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

A research on the borders between public and private space.

First monograph.

Artist's book.

Art and feminism in Italy in the Seventies.

Jean-Paul Fargier's film about the historical encounter between the filmmaker and the writer in 1984.

New works on paper.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs.

Two texts by New York artist Zoe Beloff, pioneer in the field of “media archeology”, whose works are at the crossroads of avant-garde art, popular cultures and critical theory.