A collection of photographs of former border regions around the globe and down through the course of human history.

A return on Mark Geffriaud's film installation (artist's book).

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

New monograph.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

First monograph.

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

An accordion and two turntables for an abstract musette.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

This catalogue investigates the genealogy of the relationship between art and ecology in Europe, introducing a series of pioneering research conducted on both sides of the Iron Curtain in the 1970s.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A multidisciplinary investigation of the interrelations of space and time, memory, architecture and urban planning through and beyond Henri Lefebvre's concept of Rhythmanalysis.

Three multidisciplinary essays—from cultural anthropology to photography analysis—based on visual archives documenting the visit of writer, painter and politician Carlo Levi to an Albanian community in Southern Italy (second volume in the series “Archivi della Basilicata”).

First monograph.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

Anthology of essays written alongside the exhibitions at the Wattis Institute between 2014 and 2019. Celebrating the wide range of voices and forms of curatorial writing, this volume is a unique contribution to the study of art criticism, curation, and the history of exhibitions.

A multidisciplinary anthology—ranging from fiction and photography to academic essays—inspired by the provocative architectural theories of Madeline Gins and Arakawa.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

Six short stories by Maria Kakogianni, between literary fiction and philosophy.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

This publication brings together a selection of family photos taken between the 1930s and 1950s by amateur photographer Anne-Marie von Wolff. A fascinating, powerful work, brought to light by her great-grandniece, artist Mimi von Moos.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

Richard Tuttle and color.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.