An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

Nigel Peake's drawings for Japanese distillery Mitosaya.

First issue of the critical journal published by Cosa Mentale, in which the words of the architecture practice Bruther and of Laurent Stalder, professor of architecture history at ETH, confront each other around the theme of “hypercomfort.”

Presenting the first perfomance of Hermann Nitsch's grand and large-scale “Traubenfleisch” symphony.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Drawings by artists et alii: previously unpublished works on paper by Matali Crasset, Chris Dercon, Koo Jeong-A, Maurizio Cattelan, Kim Gordon, John Giorno, Ugo Rondinone, Xavier Veilhan, Alexandra Midal, Nathalie Du Pasquier, Amy O'Neill, Arto Lindsay, Yan Pei-Ming, Kamel Mennour, Melvil Poupaud, Sheila Hicks...

The account of a collective study around the question of the irreversibility of the damage caused by extractivism and accumulation for common spaces and living conditions, in their political, social and aesthetic dimensions.

A study of clouds through photographs, drawings, essays, and interviews.

This publication explores the key tenets of artist Nicoline van Harskamp's research and practice, such as the contemporary use and modification of languages, a treatment of names as spoken language rather than spelled identity markers, and the practice of self-naming.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

A selection of drawings from the Belgian artist's extensive corpus.

Artist's book.

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

The first book to cover the entire span of the “anarchitect” Gianni Pettena's career.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

A work Andrea Tippel started in 1993 and finished in 2009, consisting entirely of three-letter-words (two CDs in fullcolour six-panel DVD-sized digipak, with a biographical text, a chronology of the work and a text by Dorothy Iannone).

A compilation of photographs of Mexican vigils, "casetas de control" or "casetas de vigilancia", taken from February to June 2018. These control booths, which were captured in the residential areas of Mexico City, govern free movement. This book is a true repertory which reveals an aesthetics of urban space and architectural functionalism.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Interviews with Dasha Ilina, Forensic Architecture, Screen Walks (Marco de Mutiis + Jon Uriarte), Michele Spanghero; Emergency music by Pirate Care; Masks: The Face between Bodies and Networks; reports, news and 35 books, DVDs & CD reviews...

A collection of reflections and literary and artistic contributions inspired by the themes at the heart of American writer Dodie Bellamy's work, and driven by the central question “What are we learning from artists today?”

A range of artistic and theoretical proposals on the theme of "laboratories".

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

Issues 23 to 26 of the critical review dedicated to graphic design.

Artist's book.

Artist's book.

The interdependence of artistic production and social class.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A collection of photographs and drawings retracing the founding Californian experience of the artist.

The expanded anastatic reprint of the Italian designer's sulphurous catalog of 1973.

A manifesto for possible future music.

A manifesto for possible future music.

The notion of “form” in architecture.

First comprehensive monograph.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

First monograph.

A collaboration between Christophe Brunnquell (Purple art director) and Grégoire Alexandre (photographer) who recompose fashion imagery by dressing their models with images taken from the archives of Vogue Paris, thus creating new ambiguous icons.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

New monograph.