The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

The fertile exchanges between French and American poetry since 1968.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

The drawing practice of Kara Walker.

A book about art, publishing and collaboration.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

An unpublished tale by Raoul Ruiz.

An unpublished tale by Raoul Ruiz.

Artist's book.

Isabelle Magnon asked Ghédalia Tazartès to take pictures of his "Cabinet de curiosité". This book shows 40 pictures of Tazartès' objects and small installations. There is a free CD included of the only recorded performance of the trio formed by Ghédalia Tazartès, Jérôme Lorichon and Quentin Rollet.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the remastered soundtrack in the vinyl and CD formats, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

A tribute.

Seventeen interviews conducted with Med Hondo over a period of almost half a century, most of the interviews originally published in French were translated into English.

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

A selection of around 60 rarely shown photographs by French artist Jean Chauvin (1889-1976), one of the pioneers of abstract sculpture of the early 20th century.

A conversation around books and reading, education and teaching methods, food and culinary practices, and agriculture and ecology.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

A tribute to William S. Burroughs.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

A tribute to William S. Burroughs.

The best of 2020.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Originally released by the Grateful Dead's Round Records in 1975, Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

Ian Kiaer's new monograph is based on a project that the artist began several years ago and whose configuration changes with the circumstances. Drawing on the notion of marginal endnotes in books, it references the utopian concepts of the Austrian American architect Frederick Kiesler (1890-1965).

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

The series of photographs plastered by Alessio Bolzoni over twenty six billboards in sixteen different locations across the city of Milan.

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

Thulani Davis' collection of poetry about music.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

A series of still lifes and interior scenes by the Swiss artist.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

A phenomenology of voice and hearing.

A series of drawings made in Paris with felt pen in small notebooks. The hours-long work on the drawings, which are all made right on the spot, displaces Giezendanner into meditation and lets him perceive the urban space in different ways.

Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.

Agricultural landscapes and portraits of the Swiss Alps: a fascinating visual study of the relationship between humans, animals and topography in the context of a rapidly changing agriculture and dairy industry.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

Why does a painter like Delacroix paint so many religious subjects?

Monograph / artist's book.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

A small selection of Ronan Bouroullec's recent drawings.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.