The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi).

A proposition opened up by Umashankar Manthravadi in his practice as an acoustic archaeologist, bringing together writers, choreographers, composers, actors, dancers, musicians, field recordists and sound, light, and graphic designers who engage and transform each other's work.

An exploration of the performativity of the law within Egypt's spectral legal reality.

First monograph devoted to the postcolonial feminist approach of the Berlin-based South African artist.

First comprehensive monograph of the Swedish queer and feminist performance artist.

A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

An acoustic mapping of colonial history.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

First monograph.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

Selina Trepp's "dirty drawings".

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

The height entry in Blank Forms' ongoing series of anthologies is devoted to the Amercian experimental musician/composer/intermedia artist Jerry Hunt.

The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt's compositional process.

Francisco López offers a brand new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

Summer issue, featuring Rhea Dillon, Ufuoma Essi, Matthias Groebel, Saodat Ismailova, Karla Kaplun, Reba Maybury, Michel Majerus, Niklas Taleb...

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

A collective reflection on the notions of sympathy and care in the context of the environmental and epidemiological crisis.

The 2023 Toilet Paper wall calendar.

The fifth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the tourist.

A project of digital images-sculptures by graphic designer and scenographer Grégoire Romanet: the achievement of a work of research, collection and transformation of a visual matter resulting from the commercial web, led during two years.

The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

First monograph.

New perspectives on the process of translation from the works of more than thirty international artists.

A survey of Louise Nevelson's research on collage.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

A how-to manual for free improvisation music.

A documentary film made over 10 years by Virgile Novarina, portraying the iconoclastic artist Pierre Pinoncelli, known since the 1960s for his shocking happenings.

The multiple faces of popular dances in contemporary choreographic creation.

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

Poetics of the voice.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.