The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.

BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.

Over 15 years of subversive installation art from a Copenhagen-based collective.

An overview of the French mixed media artist's work, engaged with historical and found imagery.

Wesley Brown narrates the day when trumpeter Miles Davis was assaulted by the New York Police Department. A dramatic and humorous story, told from multiple perspectives including that of Frances Taylor, Davis's wife, and the musicians in Davis's bands: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis.

Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.

A multimedia meditation on time, memory and cultural identity.

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

Publication dedicated to the Jardin aux habitant·es, a work by the artist Robert Milin produced in collaboration with volunteers for the opening of the Palais de Tokyo, a community garden that brings together, since 2002, amateur gardeners, who are members of an association.

Retrospective monograph.

The widest and most complete overview of Cinzia Ruggeri's career to date.

The first comprehensive publication documenting Israeli artist and experimental cinematographer Ran Slavin's work.

The result of a remarkable editorial work whose graphic design is signed by Syndicat and Lucien Pelen, this first monograph brings together fifteen years of photographic and video production, unpublished contributions, texts and the making-of of the actions carried out by the artist.

Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

Acclaimed author Alice Rawsthorn has revised her bestselling field guide to design in the wake of the pandemic, technological change, and the escalating climate emergency.

293 new digital drawings by the Swiss artist.

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

Since 2002, Berlin based musicians Tony Buck and Magda Mayas have been developing their duo music as SPILL, recording, touring and occasionally collaborating with international guests. Having spent the last 20 years establishing their unique approach to the piano and percussion combination, SPILL celebrates this milestone with the release of their 5th album Mycelium.

A series of drawings by the iconic Italian designer.

2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist and composer Jeff Parker and his ETA IVtet.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

Austrian artist and curator Anna-Sophie Berger here assembles a group of works, from Arakawa and Gins to Lyle Ashton Harris, that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed.

Aesthetics/Ethics of the Flesh.

An exploration of the work of the Portuguese artist Isabel Carvalho, between visual and writing practices, based on a project conducted around the history of the art center Le Lait, Albi.

A major addition to the body of carefully hewn solo work Crys Cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound.

An artist's edition based on the eponymous project of dancer and choreographer Alix Eynaudi, a choreographic social experiment between the everyday and the event, which makes performance, writing and audience participation coexist.

A retrospective overview of the work of a pioneer of Conceptual art in Los Angeles

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A reevaluationof Surrealism since 1940: a large-scale, groundbreaking work covering seven decades, questioning the discourses, narratives, and debates on the poetic, political, and artistic commitments of the movement, in the context of the deep social and cultural mutations of the world of the second half of the 20th century.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

A novel by Liam Gillick.

Retrospective monograph: an exhaustive overview of more than fifteen years of practice of the Belgian artist whose work oscillates between post-industrial sculptures and post-apocalyptic realism.

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

A critical anthology on the spatial mediation of art consumption through digital technology.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.