Alexandre da Cunha plays the Drawing Room Confessions.

Richard Wentworth plays the Drawing Room Confessions.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

Catalogue.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities, with an original artwork signed by Ricciotti.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

Thierry de Duve's writings on Marcel Duchamp.

Peter Hutchinson's writings.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

New monograph.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

An innovative examination of Jeff Wall's photography.

A collection of essays that reveals layers of unknowing and open-endedness within a diversity of contemporary art practices since the 1970s.

One year in the art world.

Imposture, falsification and diversion.

Representation of pain in the art of the twentieth and twenty-first centuries.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

An innovative examination of Jeff Wall's photography.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

New monograph.

The catalogue of the inaugural exhibition of the Fondation Vincent van Gogh Arles, a thematic van Gogh exhibition with proposals by nine contemporary artists (Bertrand Lavier, Thomas Hirschhorn, Guillaume Bruère, Fritz Hauser, Raphael Hefti, Camille Henrot, Gary Hume, Bethan Huws et Elizabeth Peyton).

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Art and teaching.

Luis Camnitzer plays the Drawing Room Confessions.

Other Writing.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

An overview of current research in the broader field of human sciences in Switzerland.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.