A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The Ginette Moulin & Guillaume Houzé Contemporary Art Collection.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

Catalogue of a double exhibition dedicated to the contemporary British art scene.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

Benoît Maire plays the Drawing Room Confessions.

A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

1st issue of the art magazine published by M19, gathering works, articles, documents, and lists, featururing 42 artists, curators, art historians, critics, choreographers, musicians, plus one chef.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

The resurgence of Dada in the U.S. (a genealogy of American post-war experimental art).

An interview with Jean-Christophe Ammann.

This second issue brings together contributions reflecting on the political commitment and literary work of Jean-Marc Rouillan, and shedding light on three of Rouillan's most important influences today: philosophers Daniel Bensaïd and Henri Lefebvre, and activist Pierre Goldman (with contributions by Véronique Bergen, Charles Pennequin, Julien Blaine, Rada Ivekovic, Pierre Linguanotto, Laurence Denimal, Stéphane Nowak Papantoniou…).

Caroline Bachmann and Stefan Banz have designed a photographic and pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by “making emotions visible”.

Pierre Huyghe, Didier Marcel, Guy Debord, Benoît-Marie Moriceau, Elmgreen & Dragset, John McCracken, 8th Qwangju Biennale, Oscar Niemeyer, Allan McCollum, Olaf Nicolai, Herzog & de Meuron, Karen Kilimnik, Marc Camille Chaimowicz...

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

A ghost town in Cyprus as a metaphor for an aesthetic and political reconstruction in the margins of Europe (also available in English edition).

A ghost town in Cyprus as a metaphor for an aesthetic and political reconstruction in the margins of Europe: an artistic approach to contemporary issues related to a real situation, with about 30 international artists and contributions by writers from different fields (philosophy, anthropology, history, politics, and sociology).

Reference monograph / catalogue raisonné (available in English edition).

Reference monograph / catalogue raisonné of 650 both playful and disturbing works, between melancholy, humor and poetry.

Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

A study of political and ideological stakes of Beuys' oeuvre and its myth in Germany.

Second issue of the art history magazine published by the Mamco, Geneva.

Exhibition catalogue.

Catalogue of the second Rennes Biennal (available in English edition).

Over eighty architects and collectives from a variety of backgrounds who have in common ways of overstepping the frontiers of their respective disciplines, brought together under the theme of “the private and the collective”.

Theoretical and artistic reflections on the history and contemporary relevance of animism.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).

Towards the art world's inner contradictions between symbolic meaning and monetary value.

A newspaper made of 25 double-sided posters with 25 photographs by Inez van Lamsweerde and Vinoodh Matadin and 25 posters by M/M (Paris), with an essay by Michael Bracewell, celebrating Inez van Lamsweerde & Vinoodh Matadin 25 years of work.

Art, performance and ritual (special issue directed by Serge Pey).

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

Claire Staebler, Hippolyte Hentgen, collective drawing, Marcel Dzama, Félicien Rops, the Kramarsky collection, selected books, Mathieu Copeland, Julie Pellegrin, Mickaël Philippeau, Céline Bertin, Arnaud Michniak, Constança & Artur Neves Pimentão, Matthew Brannon, Marie-Jeanne Hoffner, Francis Alÿs, Robert Filliou, Pablo Marcos-Garcia, André Lanskoy, artistic contributions (Marlene Dumas, Diogo Pimentão, Bjorn Hegardt, Rainier Lericolais, Teckningsklubben...).

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

First publication in French on a major figure of British Pop Art, this essay analyses notably the questioning of the contemporary appearances in Richard Hamilton's works.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

Monograph (available in English edition).

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

Haacke, Broodthaers, Beuys; René Magritte's Période Vache; The impossible on display according to JLG – Stories of exhibitions in the Pompidou Center; interview Antek Walczak / Eva Svennung; Clément Rodzielski; Josef Strau; As of Pierre Leguillon presents Diane Arbus: a printed retrospective (1960-1971); Agamben - Hazan - Tiqqun; excerpts from Grand Openings Book...

Retrospective catalogue of the ancient rural synagogue transformed in a major contemporary creation space: installations views, presentation of each exhibition, artists' contributions and essays.

The French art scene with 88 art critics and 88 artists, on 800 pages in color.

First issue of the art history magazine published by the Mamco, Geneva.

Marcel Miracle, Pascal Bircher, Thomas Bernardet & Florent Mulot, Nicolas Royer, Du jardin au cosmos, Laurent Le Deunff, Krijn de Koning, Tadashi Kawamata, Gaëlle Braun, Laetitia Carlotti, Pascal Bircher, Isabelle Grosse, Grégory Duhamel...

Special issue devoted to Victor Considerant (1808-2008).

A sharp summary of contemporary art since Marcel Duchamp.