Imposture, falsification and diversion.

Representation of pain in the art of the twentieth and twenty-first centuries.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

An innovative examination of Jeff Wall's photography.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Art and teaching.

Luis Camnitzer plays the Drawing Room Confessions.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

An overview of current research in the broader field of human sciences in Switzerland.

An "archaeology" of contemporary art, between Matisse and Duchamp, between art and philosophy: a book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Retrospective catalogue of La Salle de bains art center in Lyon: an archive of 67 shows from 1999 until 2012.

The Alpine symposium on art and architecture (with Vito Acconci, Doug Aitken, Cerith Wyn Evans, Dominique Gonzalez-Foerster, Philippe Rahm, Tobias Rehberger, Lawrence Weiner...).

Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

An album of photographic documentation of Cezary Bodzianowski's ephemeral ‘events' gently disrupting the course of everyday life, with essays by Catherine Wood, Jarosław Suchan, and Susanne Titz.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

The relationship to the animal in contemporary art.

Benjamin Sabatier shells over the alphabet the founding principles of his work.

Benjamin Sabatier shells over the alphabet the founding principles of his work. This limited edition is accompanied by a can compression, a unique signed piece.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Luxurious artist' book printed in 5 colors (silver ink on black paper), between document, archive and artwork: a subtle exploration of the history of an institution under reconstruction that also bares the internal architecture of the book itself.

A zine celebrating René Daniëls and his love for New York and music.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

26 color reproductions of images used for the realization of the posters celebrating 10 years of Le Plateau / FRAC Ile-de-France, Paris, by artists who have produced a personal exhibition.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

Suspended spaces #2 is a trip in the libanese territories. It develops artistical proposals and philosophical approaches of modernism in a middle eastern country.

Documenta 5 in film.

The 5th issue of the art history magazine published by the Mamco, Geneva, is entirely dedicated to Philippe Thomas.

Richter's texts, essays, letters, manifestos, and interviews.

Richter's texts, essays, letters, manifestos, and interviews.

A film by Robert Milin to question the conditions and implications of “art in the suburbs.” (with Sylvie Blocher, Thomas Hirschhorn, Didier Marcel, Guy Tortosa...).

Five essays.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The Ginette Moulin & Guillaume Houzé Contemporary Art Collection.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

First issue of the experimental music annual review.

Catalogue of a double exhibition dedicated to the contemporary British art scene.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

Benoît Maire plays the Drawing Room Confessions.

A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.