First monograph.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

The different aspects of the work of Marcel Mariën (1920-1993)–member of the surrealist group of Brussels, poet, creator of images, publisher, theoretician and political activist, accomplice of René Magritte and Guy Debord.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

A history of southern surrealism, between Monaco and Alexandria: a journey that defies established cartographies, far from the nationalistic landmarks of a European-centric history of modernity.

A project for which artist Simon Moretti invited fifty-one artists to supply a text that they had written or found, to be considered as part of a collaborative artwork to represent their thoughts in the current charged moment in history.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

A photographic project about the history and repercussions of the life of German botanist and gardener Georg August Zenker.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

The catalogue raisonné of the Frac Île-de-France Collection.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

A number of more or less benevolent considerations on the work of Jacques Halbert.

An essay on the political dimension of Rimbaldian poetry.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Seventeen interviews conducted with Med Hondo over a period of almost half a century, most of the interviews originally published in French were translated into English.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

The essays of this book transverse the vqrious dimensions of standstill as an in-between of time (with essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach).

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

The partitions, to be activated by the reader, by Marcel Alocco, Edouard Boyer, Matali Crasset, Jean-Claude da Silva, Frédéric Dumond, Jacques Jouet, Nicolas Richard, Sébastien Roux>, Yoann Thommerel, Éric Watier.

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

Reference monograph.

Publication devoted to the only statement the Belgian artist has ever published about his own work.