A poetic wander through the city of Kyoto, between observation and listening.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.

Lionel Marchetti offers a highly personal, artist-to-artist reading of one of Pierre Henry's landmark works, through which he attempts to grasp all the poetic issues at stake in the art of musique concrète, and to identify the specificities of the genre.

The new alchemical collaboration between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti.

A book of poems by the composer of musique concrète.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

"Jeu du monde" is a collection of around twenty musique concrète pieces which spreads over more than six hours of music. Each CD has been designed as an audio film which tells a full story.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

A piece of concrete music based on voices of children of Lionel Marchetti's family, recorded in familiar holiday places.

A journey into the universe of one of the most original composers in the field of the concrete music.

A three-CD set offering a glimpse into the work of the improvisation ensemble Le UN, featuring performances by a large ensemble in various acoustic settings, small and medium-sized ensembles, and outdoor performances in public spaces (light intervention brigade).

A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

A meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

Céline Guichard; Dalia Taha; on autodidacticism in music, by Fanny Chiarello; towards intercultural listening, a conversation between Kristoff K. Roll and the Mexican collective La Lleca; interviews with Alexandra Spence and Ayami Suzuki; Noises at Pompidou: a conversation between Marion Camy-Palou, Kasper T. Toeplitz and Nicolas Ballet; creating in psychic precariousness, by Aude Romary; book and record reviews..

Alison Flora; Violette Abu Jalad; Ear We Are 2025 by Jérôme Noetinger; Nina Garcia; Eryck Abecassis; Richard Wilson Avena; the Entrefer label & Carbon Sink; Canadian Connection by Pierre Durr...

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

Contemporary poetry in Arabic: Lamis Saïdi; Pascale Criton; homage to Peter Rehberg by Jérôme Noetinger; Romain Perrot aka Vomir; Michel Doneda; Wuppertal festival / Peter Brötzmann; Yosuke Yamashita interviewed by Michel Henritzi; 45 album reviews...

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

A series of connections between percussion and electronics.

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

An hour-long percussion sextet featuring the instrumentation from Xenakis' Pleïades.

This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.

Noémie Sauve, interviews with Ellen Fullman and Anne Dreyfus, “Reflexio” Section with Philip Best and Jedediah Sklower, record labels from Quebec: Ambiances Magnétiques, Collection QB and Kohlenstoff Records, Lionel Malric's new project Jiéqì, an essay by Kasper Toeplitz, music reviews…

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

Esther Ferrer, PaaLabRes, Eric Cordier, Le 102 in Grenoble, Lionel Marchetti, a history of musical destructions by Matthieu Saladin...

Apo33 – Julien Ottavi, Zak Cammoun, Yan Jun, Jean-Luc Guionnet, Joris Guibert, François Bayle, Kasper Toeplitz...

Thomas Tilly, 11 paragraphes sur un concert improvisé (Ray Brassier, Jean-Luc Guionnet, Seijiro Murayama, Mattin), Expérience cinéma – Phénoménologie de l'apparition, Wandelweiser...

In Fear Drop #16, on the theme of synaesthesias and the musical landscape: Victor Segalen, Jean Giono, Ernst Jünger, J. K. Huysmans, Michael Prime, Coil, Merzouga, Hervé Moire, La Rivière series (Kaon / Toy.bizarre), M. Namblard, S. Whethman, F. López, Freiband, G. Toniutti, Tarab, P. Juillard, L.-M. Riek, Michael Begg (Human Greed), Steve Roden, Bernhard Günter, Stefan Knappe (Drone Records, Substantia Innominata).

For its 88th issue (special issue limited to 666 copies!), the quaterly magazine turns into a carte blanche given to more than 80 personalities related to various experimental sound practices. A tribute to the do-it-yourself way.

“Metal Machine Theory” par Mattin & Ray Brassier / chroniques / Jean-Claude Eloy / Thierry Madiot / Seijiro Murayama / Taku Sugimoto / L'interaction par et pour tous, Patricia Kuypers / Emmanuel Adely / disques / concerts / infos / index.

Chroniques / « Obsolescence » – Ça sent le pâté par eRikm / Alan Vega / Antoine Chessex / Wandelweiser / L'interaction par & pour tous – Aurore Gruel / disques / lectures / chroniques bis / infos / concerts / index.