The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

A study of John Coltrane's live recordings.

The first monograph dedicated to Tobias Madison's work, including a newly commissioned text by John Beeson, and two conversations with the artist.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

166 minutes with Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

This issue concerns itself with “numbers,” ranging from a brief note on “The Psychology of Number” by John Dewey and John McLellan, to Vincenzo Latronico'ss historical overview of the ongoing attempt to conjure “truths from thin air” (such as proof of the existence of god).

An extensive overview of the oeuvre of one of the masters of experimental cinema, including a complete chronology of the cineast's work and life as well as newly commissioned contributions by Andrea Bellini, Ken Eisenstein, John Hanhardt, and a visual essay by the artist.

The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities.

A compilation of Rudy Ricciotti's opinion pieces about 59 artists and personalities, with an original artwork signed by Ricciotti.

Box set including a book and a film on DVD.

The only novel written together by two great American poets associated with the New York School.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

An anthology surveying the relationship between artistic practices and documents.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

New monograph.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Philippe Lacoue-Labarthe and Jean-Luc Nancy readers of Maurice Blanchot, Blanchot's political trajectory, Emmanuel Levinas' unpublished letter to Maurice Blanchot...

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Second (and last) volume of the short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

Déborah Danowski / Stephanie Wakefield / Stephanie Wakefield & Antek Walczak / Jenna Bliss, Elise Duryee-Browner, Damon Sfetsios / Valentin Bouré & Mélanie Matranga / Daniel Horn on Stewart Uoo / John Beeson on Tetsumi Kudo / Karl Holmqvist on Lili Reynaud-Dewar / Édouard Montassut on Camille Blatrix / Kerstin Stakemeier on Anne Imhof / Karl Holmqvist on Dorothy Iannone / Mica Gherghescu on Dubuffet typographe de Pierre Leguillon  / Jason Simon on Charles James / Neil Beloufa...

Peter Hutchinson's writings.

The third issue of the French-American magazine of creation and reflexion is devoted to performance art.

Reference monograph / catalogue raisonné.

The third issue of the annual research book-magazine at the intersection of architecture, art and economy, addresses our urban condition at the age of Anthropocene (available in English edition).

The third issue of the annual research book-magazine at the intersection of architecture, art and economy, addresses our urban condition at the age of Anthropocene, with contributions by about forty renowned international contributors (Nicolas Bourriaud, Pierre Huyghe, Yann Moulier-Boutang, Pierre Musso, Neri Oxman, Christian de Portzamparc, Saskia Sassen, Richard Sennett, Jean Viard...), in long and elaborate interviews.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

First monograph.

MacLise's early electronic music.

Some thoughts on authority by Jan Verwoert, Stylometry by John Menick, The Theater of Violence by Sladja Blazan, Manila in the Claws of Darkness by Giulio Bursi, Gottfried Lindauer, On Disintegration by Andrew Durbin, Notes on the Post-Digital Condition by Omar Kholeif, Learning To Escape the Politics of Prediction by Chus Martínez, Robert Gober, Jean-Frédéric Schnyder, Mélanie Matranga, Guan Xiao, Minimalism as Pathos by Nick Currie, Alice Könitz / Kim Fisher, Steinar Haga Kristensen, Bruce McLean / Tamara Henderson, The End of Art in Public Space by Jennifer Allen...

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

The origins and creating process of the artwork.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This second issue is dedicated to Native American warchief Rain in the Face.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

Improvisation as musical and political experimentation (essay).

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

A special edition dedicated to curating.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Artist's book.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.