A collection of Dan Graham's articles about rock and experimental music.

The film and video biennale catalogue.

A true Gay Pride anthem. Produced by Luigee Trademarq. Charlie O. sings, plays Hammond organ, but also surprises with a very intimate track on the B side with piano, voice and trumpet.

New monograph.

Album recorded in London by Toby Robinson (Stockhausen's student and who recorded a lot Derek Bailey) at Moat Studio. Total improvisation (voice, soprano saxophone and electric guitar), non-idiomatic. With a preference for short pieces rather than long tracks.

Allen Ruppersberg, Angela Bulloch, Nicolas Bourriaud, Maurizio Cattelan, Sylvie Fleury, John Miller...

Solo recording made at Instants chavirés. In 9 tracks, Noël Akchoté goes from pure noise to guitar hero solo worthy of Woodstock.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

“Photos-Traps”

Art and nature / residual landscapes.

A focus on the architectural works of the American artist.

A focus on the architectural works of the American artist.

First collection of essays on cinema by the French-Chilean filmmaker.

First collection of essays on cinema by the French-Chilean filmmaker.

Derek Bailey and Eugene Chadbourne in an improvised duet, recorded live on January 2, 1995.

Unpublished text with an interactive silkscreen print that the reader must complete and send to the artist.

George Brecht, Eric Duyckaerts, Jason Rhoades, Robert Altman...

Bob nickas' exhibition catalogue, presenting some On Kawara's Date paintings in face of various contemporary photographies.

Edited by Marc Dachy, this first CD devoted exclusively to Marcel Duchamp brings forth some very rare documents of the '50s.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

Art production of the last few decades has given rise to an increasing number of ambiguous or paradoxical situations related to the musical form (score, stage area, lute-making, CD, video...) thus transcending the traditional divisions between space, time and movement.

Catalogue.

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

A retrospect on the abundant work of this poetic artist, explorer of images and builder of labyrinths who expresses himself on film, in the theater and in his writings. Interview with, and visual lay-out by Raul Ruiz.

Exhibition catalogue (Jean-Michel Alberola, John Armleder, Ludger Gerdes, IFP, Hubert Kiecol, Bertrand Lavier, Allan McCollum).

Reference monograph edited by the artist, with introductions by Octavio Paz and John Golding.

Collective exhibition catalogue.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.