A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

A retrospect on the abundant work of this poetic artist, explorer of images and builder of labyrinths who expresses himself on film, in the theater and in his writings. Interview with, and visual lay-out by Raul Ruiz.

Exhibition catalogue (Jean-Michel Alberola, John Armleder, Ludger Gerdes, IFP, Hubert Kiecol, Bertrand Lavier, Allan McCollum).

Reference monograph edited by the artist, with introductions by Octavio Paz and John Golding.

Collective exhibition catalogue.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.

Reference monograph, with an introduction by Michel Tapié and an essay by Howard Morley Sachar.