This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.

The fourth issue of the erotic journal Féros comes in the form of a leporello, accompanied by various inserts (slide, silver print...), featuring 25 visual and artistic projects.

This new monograph brings together Nicolas Floc'h's artistic production of the last twelve years.

Special issue dedicated to Brazilian poet Augusto de Campos.

The Americana Issue includes: Surfing Vietnam, The Manhattan Project, John Margolies Along The Road, Catherine Dunne, In The MoMA's Vault, Jean Baudrillard On 9/11, The Black Female Imagery, Marco Ferreri: Dawn Of The End, Spectres Of Power, Disneyland Has Been Abandoned, Yes! Yes! Yes! Media Goes Underground, Tony Oursler And The Paranormal, Gianni Pettena And The Living Desert.

Editor-in-chief David Velasco introduces a special artist project by Martine Gutierrez, Bruce Hainley on the art of Cady Noland, Daniel Marcus on Picasso: Blue and Rose, Kaelen Wilson-Goldie on the art of Banu Cennetoğlu, plus a special previews section with over 40 exhibitions worldwide; including Nari Ward at the New Museum, Wong Ping at Kunstalle Basel, the Sharjah Biennial, and more.

Elian Radigue; sound and magic; Arnaud Rivière / Mark Morgan / Blenno die Wurstbrücke; James Saunders; Bill Orcutt...

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

A sound dialogue between eRikM and Anthony Pateras.

Second volume of a special issue devoted to the rediscovery of Charles Fourier's oeuvre by the Surrealists. This volume focuses on André Breton's passionate interest in Fourier, through correspondence (Pierre Naville, Georges Sirot, Jean Gaulmier, Émile Lehouck) and texts by Georges Bataille and Raoul Vaneigem.

A reflection on the myth of abundance, at the intersection of philosophy, arts and letters, anthropology, political and natural sciences.

The best of 2018: a renowned group of critics, artists, and curators from around the world—Kerry James Marshall, Johanna Fateman, Helen Molesworth, Douglas Crimp, Eungie Joo, Jack Bankowsky, David Rimanelli, Catherine Wood, Caroline Busta, Lanka Tattersall, Harry Cooper, Pauline Yao, and Claire Tancons—take stock of the year in art. 38 artists from around the world choose the most striking work, event, or exhibition of the year with responses from Kerry James Marshall, Barbara Kreuger, Genesis Breyer P-Orridge, and more. Plus, Top Tens on the best in film, music, books, and performance from John Waters, Vaginal Davis, and Melissa Anderson, and a special section on “The Year In Monsters.

A perspective on contemporary video and multimedia creation through the various works produced by students (promotions Michelangelo Antonioni & Chantal Akerman) and invited artists-professors for the 21th edition of the “Panorama” program at Le Fresnoy.

Varia issue: Italo disco; French singer Olivia Ruiz; DIY punk fanzines in Russia; the political dimension of Ornette Coleman's music; Pop hits and new media strategy; interview with David Novak on Japanese noise; interview with Simon Frith on progressive rock. Illustrated with a selection of concert flyers.

The second issue of the magazine FREEING (Our Bodies) is dedicated to the musical work of Frédéric Acquaviva: some forty prestigious contributors (Jean-François Bory, Broutin, Laurent Cauwet, Henri Chopin, Jacques Donguy, Michel Giroud, Bernard Heidsieck, Joël Hubaut, Dorothy Iannone, Otto Muehl, Virgile Novarina, ORLAN, Jean-Luc Parant…) examine and pay tribute to this original creator through poetic texts, portraits, drawings, photographs, interviews, chronicles…

Concerto for town and voice created from recordings collected the same day in London and Paris, and illuminated by the voice of mezzo-soprano Loré Lixenberg.

For its twelfth issue, Initiales pays tribute to Sylvère Lotringer who, in the 1970s, imported the French Theory in the United States.

The penultimate issue of Frédéric Acquaviva's audio / video hybrid magazine is dedicated to the works of Frédéric Acquaviva, Isidore Isou, and Orlan. It includes a CD of Isou's last sound work from 2006 and a DVD featuring performances by Orlan, Acquaviva, Isou, Sharif-Sky Mathius, Jeremiah Runnels, Mats Lindström, Jean-Paul Curtay…

Produced as a follow-up to three previous publications edited by Mamco between 2010 and 2017, this monograph is a compilation of found images associated with Yvan Salomone's own photographs. It also features an interview with the artist and new essays examining his practice.

First monograph: focusing on French painter's Julien des Monstiers most recent work, this publication features a rich iconography with reproductions and exhibition views. An introductory text by Frédéric Valabrègue invites us into the artist's studio, and the interview by Alain Berland gives a formidable insight into des Monstiers' practice.

The most important monograph to date on Stéphane Blanquet: designed by the artist, the publication gathers ancient works and new ones, created for his exhibition at Auberive Abbey in France. Drawings, terracotta, tapestries, lithographs, photographs… This monograph provides a broad look at Blanquet's erotic and nightmarish universe.

An overview of Pascal Rivet's artistic practice through an examination of his favored subjets: rural traditions, farming, sports, and the working world.

This publication provides the first overview of Christiane Pooley's work to date: a landscape painter unveiling the instability of social structures, the Chilean artist has developed a universe which summons the sublime, the melancholy and the political. With texts by Marie Maertens and Laura Morrison.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.

Special 1980's Issue: artist/activist collective Gran Fury; Liam Gillick; Philippe Thomas; London “style bible” magazines The Face and i-D; Bob Nickas; interview with Pippa Garner; the music criticism of American Spycho's Patrick Bateman; Rosemarie Trockel; 80s Vienna art scene; Mathieu Copeland on post-modernism; Helene Winer; Ericka Beckman; Jean Baudrillard: the signature thinker of the 80s…

A relecture of of the European Pop Art through a selection of works stemming from private collections.

This issue of Cura. asks the question: how can we be revolutionary? Through a kaleidoscopic range of visions, images and actions, artists figure out the production of a new social body and challenge the establishment. With: Alex Da Corte; Jeremy Deller's Social Parade; Simon Castets; Martha Wilson's performances; Petra Cortright on Paul Chan; interview with Jamian Juliano-Villani by Hans Ulrich Obrist; conversations between and Daniel Steegmann Mangrané and Rivet, Jean-Marie Appriou and Rebecca Lamarche-Vadel, Sophia Al-Maria and Lena Saraj; Ramaya Tegegne…

Visions of Apocalypse.

An extensive documentation of the art collection initiated by Eric and Suzanne Syz, on the occasion of its installation at the Syz Group Headquarters in Geneva in 2017. Featuring iconic works from the 1980s, the ever-expanding collection also promotes established and emerging contemporary artists.

Artforum invited Ken Okiishi, Jacolby Satterwhite, and Paul McCarthy to reflect on the work of Bruce Nauman in honor of his first comprehensive retrospective in 25 years; Sam McKinniss on the art of John Waters; Alejandro Segade on queer Chicanx zines; Lynne Cook on Anni Albers; Madeleine Schwartz on the 10th Berlin Biennale; plus reviews from Paris, Riga, Milan, Zurich, and more.

A graphic examination of white in its entirety: as a matter, a surface, a space, a light, a movement, an idea.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

The third and last volume of the publication dedicated to the French underground musical scene.

A synthesis of the research conducted by the Italian composer since 1987 (new edition).

A series of off-the-cuff photographs demonstrating the poetic experience of air travel (artist's book).

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

Alain Freudiger on Max Frisch, Camille Paulhan on Jérémie Bennequin, Estefanía Peñafiel Loaiza et Marianne Mispelaëre, Warren Lambert, Erik Bullot on Michael Snow, Sylvie Lagnier on Jean-Marie Pontévia, Jacques Sicard, Denise Le Dantec, Julio Ramon Ribeyro, Stéphane Marte, Baptiste Gaillard, Fabien Clouette & Quentin Leclerc ; dossier “The Skin” (Caroline Parietti, Heidi Bucher, Kazumichi Hashimoto, Jacques Roman, Christine Bergé, David Collin), Jean-Guy Coulange, Philippe Baudouin...

PARIS LA 16—a tenth anniversary special—focuses on the dual themes of fashion and writing.

Acousmatic Striptease, a performative text by Thibault Walter; Musique Action 2018; improvised music in the Netherlands; Ring-Modulation #28 by Kasper T. Toeplitz; interviews with Marisa Andersaon, Peter Ablinger, Christine Wodrascka; carte blanche to Richard Bokhobza and Thomas B.; chronicles and disc reviews…

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

“Primitivism” as a tool for analysis of post-war French society, between a modernization and decolonization movement, and possible forms of resistance.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Borrowing its title from an unfinished documentary film on post-independence Guinea-Bissau, this reader stems from a conference which brought together artists, writers and researchers to address issues related to the people's struggle for independence from Portuguese colonialism and subsequent nation building. The contributors also engage in a reflection on the experimental use of archives in their research.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

Nina Garcia, Clark Gable, the music of Jacob Ullmann, the end of musical boundaries by Kasper T. Toeplitz, a text by Jean-Léon Pallandre, interviews with Thomas Bonvalet (Ocelle Mare) and Emmanuel Lalande (PiedNu), chronicles and disc reviews…

Illustrator Soufiane Ababri; novelist Fanny Taillandier; a critic of the Anthropocene by historian Jean-Baptiste Fressoz; interviews with Lav Diaz and Gurshad Shaheman; models' rights advocacy organization Model Law; on the back side of Naoshima; dubbing in Quebec; Arles and the money issue; portraits of Maud le Pladec and Èlg; Portfolios of Marie Valognes, Mimosa Echard, Louis Canadas & Theophile Hermand; Gabriel Gauthier's poetry; chronicles and diary.