A short story by Pierre Loti (1850-1923), which tells the irremediable separation of a couple of beggars who have lived together for a long time, illustrated by a sound piece by Quentin Rollet and Romain Perrot (Vomir).

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The story of fifty years of the international festival of photography.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

Art, destruction and creation.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Performance art with a “low artistic coefficient of visibility”.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

An essay on Philippe Beck, Jean-Paul Curnier and Michel Surya.

This book traces the career of Kara Walker (born in 1969), the most internationally recognized African-American artist since Jean-Michel Basquiat, and explores the history of the reception of a work that faces the limits of representation, challenging the question of the figuration of the black body.

Told by Charles Berling, the film by Gilles Coudert juxtaposes the director's experience as an adolescent growing up in the biggest project ever built by Le Corbusier in Europe, in Firminy, France with insights from several contemporary artists including architects, a choreographer, a filmmaker, a designer and a composer. Architectural historian Jean Louis Cohen provides comment as do several inhabitants and users of Le Corbusier's complex.

First monograph on Swiss painter Sylvain Croci-Torti.

Perrotin's large hardcover Yearbook presents the gallery's activities across its six international locations over the course of 2018, bringing together exhibition views, conversations with the artists, photographs of workshops and events, and additional exclusive content.

A journal of critical and political poetry.

Comprehensive documentation of the Portuguese artist's sculptural "Forests", including two interviews.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

A collection of texts, interviews and testimonials about new teaching practices of design.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

This hybrid publication's starting point relies in ten years of activities of LiveInYourHead, Geneva School of Art and Design (HEAD)'s exhibition space. Between a catalogue, an archive and a collective publication, this book explores the relationships between art education and curatorial knowledge.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

A magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

100th issue, featuring: investigating the strange silence of the dance community about sexual harassment; Jean Nouvel and the “revitalization” of the Kasbah of Algiers; orthodox icons; Joël Pommerat; Amanda Piña; Lise Sarfati; Robert Aiki Aubrey Lowe...

Moving image artists (Daphné Nan Le Sergent, Marinella Senatore, Francis Alÿs, Jean-Christophe Norman); Tatiana Trouvé; Blaise Drummond; representations of the female body by Diana Quinby; Louise Aleksiejew and Antoine Medes; Mélanie Berger, Riccardo Baruzzi, Marie-Claire Mitout, Dirk Zoete; the collection of the graphic art cabinet of the Musée d'Orsay ; Charlène Levasseur; selection of books by Laurel Parker...

John Armleder, Fluxus and the Ecart group.

Maryanne Amacher, focus Bisou Records, interviews with Joe McPhee, Loren Connors and Bruno Billaudeau...

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Inter #131 focuses on rural areas: how is the local reinvented in a context of economic and technological relocation?

Compilation realized within the framework of the "Rencontres de Pratiques Brutes de la Musique" by the association Sonic Protest.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

Reference monograph.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

The noise duo Peür meets Didier Bourgoin (text and voice).

This issue offers various approaches to what the animal point of view can be, through a set of contributions that reflect on this new relational state in which animals can take part in the artistic activity.

10 exhibition reviews (Mike Kelley, Matthew Brannon, « Peindre la nuit », Trisha Donnelly...), 8 interviews (Yan Pei-Ming, Ashley Bickerton, Nathalie Du Pasquier, Arno Brandlhuber, Rob Pruitt, Emily Mae Smith, Ida Tursic & Wilfried Mille...), 9 exhibitions in pictures, some artists special projects, and the chronicles.

A collective exploration of 45 years of protean poetic activities, between printed text, exposed text and proffered text, with some thirty contributions by academics and poets, with numerous illustrations.

The first French translation of Neuhaus's writings.

This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.