Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

The proceedings of a symposium dedicated to the work of French writer, playwright and poet Olivier Cadiot.

A collection of essays on audio archives of poetry.

A manifesto of the architecture of the air.

Emma Souharce, contemporary Arabic-language poetry, Michèle Bokanowski, Olivia Block, Barre Philips, Jojo Hiroshige, Lin Chi-Wei...

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

New monograph.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Catalogue.

A reflection on the value of speech and anonymity as well as on the authority at work in the distribution of knowledge.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

The portfolio of the exhibition at the Jeu de Paume – Château de Tours provides an overview of the photographer's career through forty key images.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

Julio Le Parc and the practices generated by digital creation.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

The reception of Charles Fourier's thought in Japan.

A reverse encoder that keeps only frequencies usually removed by the mp3 encoders, giving the “inaudible” frequencies to listen (software edition on SD card and silkscreen booklet, including a text by Jonathan Sterne).

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

This October in Artforum Lauren O'Neill-Butler on the art of Agnes Denes, Barry Schwabsky on Jean Dubuffet, and Jace Clayton on Christian Marclay. Plus, 4 artists and critics consider the legacy of Douglas Crimp, Amy Taubin on Steven Soderbergh's The Laundromat, exhibition reviews from Paris, Zurich, Basel, Vilnius, and much more. 

Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

An anthology.

The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

First monograph.

First monograph.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

New monograph (works from 2011 to 2019).

The letters of Maurice Blanchot to François Dominique, which illuminate one of the last editorial projects of Blanchot; “Maurice Blanchot, writing and power”; an unpublished letter from Blanchot on the Cuban Revolution; the 68 years of Blanchot...

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.