The 19th issue of the CNES' creation magazine has committed its contributors, and now commits its readers, to embark on the Great Space Game.

Noé Sendas, Hao Shuo, Gaël Davrinche, Jean-Michel Sanejouand, Bernard Buhmann, Claudio Coltorti, Armand Jalut, Petrit Halilaj, Marcos Carrasquer, Oscar Murillo, Szabolcs Bozó, Laurent Ajina, Mizuho Koyama, Chloé Quenum...).

The current state and future of painting in the digital age.

Cornelius Cardew by Matthieu Saladin, interviews with Katsura Mouri, Franck Lilin and Evan Parker, Frédéric Tabet, contemporary Arabic poetry: Abdel Wahab Mohamed Youssef...

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

Issues 23 to 26 of the critical review dedicated to graphic design.

An artistic project carried out around Fordlândia—a town built from 1928 onwards by Henry Ford in Amazonia on the banks of the Tapajòs to intensively exploit the rubber tree needed to manufacture tyres, which, following the failure of the project, became a small village in the middle of an industrial heritage of uncertain statu. With twenty international artists and researchers, in collaboration with Fotoativa, a Brazilian collective from Belém.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

Racism in the arts; the destruction of the National Theatre of Tirana and the collusion between politics and real estate in Albania; literary tourism with Jean Giono; the defence of the public service of culture on the ground; monsters and revolution with Paul B. Preciado; interview with the anthropologist Nastassja Martin; Jean-Charles Hue; Natsuko Uchino...

A collection of contributions from art history, history, literature, gender studies and ethnology to rethink the Enlightenment in Switzerland.

A transformational issue offering multiple trajectories.

Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

The second volume of François Huglo's literary portraits: du Bellay and Borer, Zénon and Valéry, Borges and Beckett, Leibniz, Proust and Redon, Kafka, Barthes and Derrida, Baudelaire and the oenologist Émile Peynaud, Bory and Novalis...

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

Perrotin's large hardcover Yearbook presents the gallery's activities across its six international locations over the course of 2019, bringing together exhibition views, conversations with the artists, photographs of workshops and events, and additional exclusive content.

This double issue explores new analytical methods to characterize the pop voice in its singularities.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

Bruce McClure / Contemporary Arabic-language poetry: Soukaina Habiballah / Isabelle Duthoit / Jacques Brodier / Kazuo Imai / Evan Parker...

In a period of transition, loss of horizons, rethinking of known schemes and expectations, between trying to catch up with digital acceleration and dealing with a content overload, Cura. translates the vocabulary indicative of this new decade by republishing a thoughtful selection of contributions from its archive.

An archeology of Swiss experimental film.

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

The second issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, is dedicated is devoted to the concept of resonances, with contributions by Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, and Christian Zanési.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Farah Atassi, Ana Benaroya, Ralph Bürgin, Noël Dolla, Henriette von Muenchhausen, Gabriel Orozco, Tessa Perutz, Lee Quiñones, Mira Schor, Saul Steinberg, Yorgo Tloupas...

Roven #15 is entirely devoted to the links between drawing and sound.

Serendipity and “accidental intelligence”.

A book of interviews with the curator and pedagogue Laurence Rassel, who develops in thought and action ways to remedy what ruins relationships and hinders emancipation.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

The partitions, to be activated by the reader, by Marcel Alocco, Edouard Boyer, Matali Crasset, Jean-Claude da Silva, Frédéric Dumond, Jacques Jouet, Nicolas Richard, Sébastien Roux>, Yoann Thommerel, Éric Watier.

An essay on dancing corporality as a complex system of interacting elements.

The pleonectic comes from a neologism that means: have-more. The challenge of this major book by Mehdi Belhaj Kacem is to identify the ontological principle from which to question the afflictions in which our world is struggling.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

Artist's book.

A collection of conversations, essays, artists' projects, and inserts, critically reflecting on the concept of “exhibition history”.

Wolfgang Tillmans; Ben Russell; Philippe Descola; Exarcheia; Hasmik Tangyan; Rone & (La)Horde; the “bioartists”; Vaslav Nijinski...

The eighth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne focuses on the relationship between heritage, ecology and creation.

The extension and finalization of a commission given to the artist Eulàlia Valldosera by the members of the association Les amis de la maison de la Mémoire du Royans, a community museum that they founded in Rochechinard (Isère, France) in 1979.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

The history of the CCN (Centre Chorégraphique National) – Ballet de Lorraine, the first National Choreographic Center in France: a look back over fifty years of history for a choreographic revolution, by Agnès Izrine and Laurent Goumarre.

The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?