Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

The status of the face in a society of images.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

The best of 2022: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

A poetic story written in the form of an unanswered correspondence by the musician Félicie Bazelaire.

A reflection by the architects of Fagart & Fontana on the renewal of the city from within and more specifically on the processes of transformation and adaptation of existing collective housing to new needs and lifestyles.

Special issue of the poetry journal directed by Jean-François Bory, dedicated to performance in the broad sense, from the page to the stage.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collection of contributions and works around the figure of Prometheus, asking the question of the scope of our individual and collective action in an interconnected world, where humans and non-humans cohabit.

A workshop for the memory of Rwanda.

An unprecedented insight into the artist's 1990s fashion collection.

This edition, at the crossroads of the exhibition catalogue and the critical essay, abundantly illustrated, gathers the contributions of about fifteen invited authors around Anne-Valérie Gasc's experiments on the architectural disappearance.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

Marie-Laure Bernadac, a leading expert in Louise Bourgeois's work, invites nine artists from both sides of the Atlantic (Tracey Emin, Camille Henrot, Jenny Holzer, Rachel Whiteread...) to share their views of this major artistic figure of the 20th century.

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

A retrospective.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

Aesthetics/Ethics of the Flesh.

Vanda Spengler; contemporary Arabic poetry: Rana Al Tonsi; interview with percussionist Lê Quan Ninh by Jérôme Noetinger; interview with David Chiesa and Nina Garcia, two of the 26 figures of the UN ensemble; interview with Lebanese musician, oudist and vocalist Youmna Saba; interview with Marion Camy-Palou by Michel Henritzi; Thierry Monnier (1972-2022) by Pali Meursault; RG Rough; 66 album reviews...

Issue dedictaed to Éclat éclair (light-lightning) by Costis, his last poem, "an attempt at typographic transcription of lightning", with two texts by Pierre Restany.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

Catalogue of a group exhibition mounted from the FRAC Réunion collection around identity issues such as racial, social or sexual constructions.

A panorama of the contemporary underground graphic scene, at the crossroads of drawing, comics and illustration, through the exhibitions, the numerous collective projects and the works of more than fifty international artists associated with the history of the mythical Parisian gallery Arts Factory (from Nine Antico to Willem through Charles Burns, Stéphane Blanquet, Hervé Di Rosa, Kiki & Loulou Picasso, Killoffer and Pierre La Police).

A novel by Liam Gillick.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

A collection of texts about space and artists working with it.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

Meditations on cinema and method.

Meditations on cinema and method.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

The fourth issue of the critical journal Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.