Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

A collection of works reflecting the influence of Italy on Paul Thek's artistic trajectory, with several contributions highlighting his Italian period.

Bill Noir; contemporary Arabic poetry: Mouna Ouafik; Bani Khoshnoudi by Carole Rieussec & Elena Biserna; Sister Iodine by Michel Henritzi; interview with Emmanuel Lalande; Stefan Fraunberger by Delphine Dora; Willem Breuker by Gérard Rouy; book and record reviews...

The return issue of Luvah journal, after a long absence, on the theme of power relations.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

A manifesto for the decolonization of art book fairs and publishing.

Vivienne Westwood, Dodie Bellamy on Joan Brown, Sarah Schulman on Nicole Eisenman, Alex Katz...

The dynamic aspects of neurodiversity in creation, in the context of art therapy, or the production of contemporary visual art works.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

Interviews with Valérie Vivancos, Alexis Degrenier, Lao Dan and Li Jianhong; what modes of travel for experimental music? by Heddy Boubaker; the French collective Muzzix, by Gérard Rouy; Antoine Freychet by Grégoire Bressac; focus on Fou Records; about sixty reviews of records and books...

An investigation into the origins of artistic creation, more than 40,000 years ago (a film by Pascal Goblot, with Daniel Buren and a group of specialists in prehistoric art, philosophers, anthropologists and archaeologists, narrated by Virginie Ledoyen).

Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.

Artist's book. Alain Snyers' Microgestes (Microgestures) are invitations to action, they can be practiced or read aloud. They form a set of 45 detailed instructions for all sorts of situations: becoming a cow painter, instructing a meringue, capturing a draft, forgetting tomatoes in the subway or opening a can of tuna with a pickaxe...

Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

The status of the face in a society of images.

The second issue of the magazine Bagarres, made of constraints and rules of the game.

The best of 2022: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

A poetic story written in the form of an unanswered correspondence by the musician Félicie Bazelaire.

A reflection by the architects of Fagart & Fontana on the renewal of the city from within and more specifically on the processes of transformation and adaptation of existing collective housing to new needs and lifestyles.

Special issue of the poetry journal directed by Jean-François Bory, dedicated to performance in the broad sense, from the page to the stage.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collection of contributions and works around the figure of Prometheus, asking the question of the scope of our individual and collective action in an interconnected world, where humans and non-humans cohabit.

A workshop for the memory of Rwanda.

Marie-Laure Bernadac, a leading expert in Louise Bourgeois's work, invites nine artists from both sides of the Atlantic (Tracey Emin, Camille Henrot, Jenny Holzer, Rachel Whiteread...) to share their views of this major artistic figure of the 20th century.

An unprecedented insight into the artist's 1990s fashion collection.

This edition, at the crossroads of the exhibition catalogue and the critical essay, abundantly illustrated, gathers the contributions of about fifteen invited authors around Anne-Valérie Gasc's experiments on the architectural disappearance.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

A retrospective.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

Aesthetics/Ethics of the Flesh.

Vanda Spengler; contemporary Arabic poetry: Rana Al Tonsi; interview with percussionist Lê Quan Ninh by Jérôme Noetinger; interview with David Chiesa and Nina Garcia, two of the 26 figures of the UN ensemble; interview with Lebanese musician, oudist and vocalist Youmna Saba; interview with Marion Camy-Palou by Michel Henritzi; Thierry Monnier (1972-2022) by Pali Meursault; RG Rough; 66 album reviews...

Issue dedictaed to Éclat éclair (light-lightning) by Costis, his last poem, "an attempt at typographic transcription of lightning", with two texts by Pierre Restany.

Alex Kitnick on the art of Wolfgang Tillmans; Natalia Brizuela and Julia Bryan-Wilson on the art of Jumana Manna; Alexandro Segade on the Ororocene; Travis Diehl on Alexis Smith's Same Old Paradise, 1987...

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.