French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

Around the Palais de Tokyo's programme dedicated to urban art, Palais magazine is devoting its latest issue to artists whose work has been developed in the street.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Istanbul's artistic scene and Erdogan's Purge, Jan Fabre, Thibaud Croisy & Bruno Le Maire, failure and the creative process, Hillel Kogan, Jean-Luc Verna, interviews with El Conde de Torrefiel, Albert Serra, Hélène Marquié, portfolio by Leonard Suriyajaya & Simon Collet...

Transmitting specific technical skills in contemporary dance (an educational booklet).

An introduction to the notion of behavioral object based upon a case study on three emblematic works by Céleste Boursier-Mougenot.

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

A richly documented publication (written contributions by artists and a thousand illustrations) celebrating a decade of art performance at French independent art-space Le Generateur.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

A re-reading of Walter Benjamin by François Coadou, suicidal tendencies in Rock'n'roll history, Chris Marker's La Jetée, Genesis P-Orridge & Timothy Leary, Salvage Art Institute, Arnaud Labelle-Rojoux, Crammed Discs Records, interviews with Jean-Luc Verna, Jill Gasparina, Ange Leccia, Carole Douillard & Dora García…

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

Art magazines as exhibition objects and spaces.

Noémie Sauve, interviews with Ellen Fullman and Anne Dreyfus, “Reflexio” Section with Philip Best and Jedediah Sklower, record labels from Quebec: Ambiances Magnétiques, Collection QB and Kohlenstoff Records, Lionel Malric's new project Jiéqì, an essay by Kasper Toeplitz, music reviews…

Berger&Berger, Anne-Lise Coste, Matias Faldbakken, Hans-Peter Feldmann, Thomas Hirschhorn, Jakob+Macfarlane, Nathalie Du Pasquier, Denis Savary, Alan Vega, Collection Jean-Hubert Martin...

Crossing perspectives on living among screens.

October issue of Supernova's fanzine, including an unpublished text by J.G. Ballard. Each copy is accompanied by an original color stencil by French artist Serge Stephan.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

The script for Joseph, the new film by Peter Greenaway, an ironic portrayal of the figure of Joseph, father of Jesus. Here, God—“the other father”—becomes, in Greenaway's words, “vulnerable to jealousy… since he has a rival on earth.”

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

Kerry James Marshall, Jean-Luc Moulène, Dora Budor, Samson Young, Dean Blunt, Matthew Lutz-Kinoy and Tobias Madison's hommage to Shūji Terayama, Rodolfo Aricò, Emily Segal's notes on the color Magenta, exhibitions reviews…

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

T. J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

Proceedings of the 2015 National conference of the French Schools of Arts.

Artist's books and book history (new edition).

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

New monograph.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

Sol Carelo, Johannes Cladders' anti-museum, Dominique Gonzalez-Foerster by Jean-Max Colard, conversations with James Bridle, Alex Israel, Philipp Timischl, Rodrigo Hernández, and ÅYR, the sensorial motifs of Anicka Yi's work, Kevin Beasley, visual project by Amy Yao, emerging artists Debora Delmar Corp., Juliana Huxtable, Sophie Jung, Nancy Lupo…

Hélène Frappat, Phia Ménard, Yasmine Hugonnet, the Syrian conflict onstage, urban psychoanalysis, interviews with Laurent de Sutter and Antoine d'Agata, when artists become filmmakers, British musical duo Autechre…

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Interviews with Steve Lacy, Guillaume Belhomme, Zëro and Jérôme Poret, a new section dedicated to sound arts studies, the practice of phonography, Henry Flynt, Steve Dalachinsky: a portrait…

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

A kaleidoscopic collection of excerpts on music and instruments.

Dominique Pasqualini addresses his singular thoughts on photography and the impossibility of its exposure.

A richly-illustrated monograph spanning twenty years of works by architects Dominique Lesbegueris and Christine Raynier. The publication includes an interview with the duo and a collection of poetic texts by Ève Delalysse, Stéphane Nowak Papantoniou, Véronique Bergen, Liliane Giraudon, Fédé Aranburu, Amandine André, Jean-Jacques Viton, Sarah Kérina, and Laura Vazquez.