2CD-Box collecting 11 pieces from Jean Dubuffet's “'Expériences musicales” (recorded in 1961) for the first time on CD.

Conversation with filmmakers Arnaud and Jean-Marie Larrieu.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Inside the artist's apartment and studio.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

Photographer Jean-Vincent Simonet introduces a new photobook that captures the transforming world of Kitengela Glass, an artistic community in the south of Nairobi, Kenya.

A dialogue between two avant-garde figures, one poetic, the other musical.

Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

This book recounts Jean-Jacques Lebel's long and tumultuous passage through the powerful laboratory of ideas and experiments of surrealism that was the journal Front Unique (1955-1960), which heralded and sometimes prefigured his future protean activities in the fields of art, poetry and militancy (anticolonial and libertarian).

La Belle Brute's fourth release dedicated to "Art Brut" French artist Jean-Marie Massou, which delves his "novels", a series of sound fictions, created over the last two decades of his life, intertwining striking narratives via spoken text accompanied by collages of sound effects, music, and ambient sounds.

The fruit of a long-term project, this artist's book focuses on the written word and language in Jean-Michel Wicker's work.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

Performed by Musiques Nouvelles, conducted by Jean-Paul Dessy, Jean-Luc Fafchamps's eighth release, a kind of compilation of unreleased or rare pieces covering nearly three decades, is undoubtedly the best introduction to his work.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

Catalogue.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.

Monologues and "quasi-monologues" in which the characters talk indiscriminately about pollution, Pokémon, bonzes and alien octopuses.

An overview of the use of textile in contemporary visual arts around the world.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

A study of "spectral" (rather than ghostly) cinema, starting with the film Ringu by Hideo Nakata, as well as a philosophical essay on the haunting of images.

A collection of poems by French writer, painter and illustrator Jean-philippe Delhomme, accompanied by previously unpublished ink drawings.

The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

A complete light on the unpublished work given by Jean-Pierre Raynaud to Ukraine, a modern version of Picasso's Guernica, a universal symbol of the denunciation by art of the horrors of war, whose exact monumental dimensions the French conceptual artist now takes up in order to realize, almost a century later, the counterpart according to his own aesthetic codes.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

A collection of about thirty texts to resume the passionate conversation that Jean-Luc Nancy was engaged in throughout his life, with philosophers and artists from all over the world.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

The series of photographs taken by Jean-Luc Moulène of his partner of ten years, Laurence Lorenzi (1956-2004).

An exploration in thirteen chapters of the question of the name, in a poetic ensemble crossed by childhood, memory, and the obsession of the return.

An anthropologist's view of contemporary African creation.

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.

An anthropologist's view of contemporary African creation.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

American conflict photographers at the turn of the 21th century.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

Limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

A dialogue between the philosopher and the art historian around the encounter.