"Une indécence française" (A French Indecency) retraces the first twelve years of "Nova Sodomia". The complete universe of His Excellency Otto: dictature of fun and indecence.

An improvised and radical meeting between Natacha Muslera's voice and Jean-Sébastien Mariage's electric guitar.

The lyrical and earthy flight of Isabelle Duthoit, the furious growls of Johannes Bauer's dandy trombone, the electrifying stripes of Luc Ex, the legendary founder of Dutch group The Ex, produce a passionate musical mix.

Invited by Björk, Mathias Augustyniak—M/M (Paris)—photographs an unknown Iceland.

Artist's book based on four recent bodies of sculptures by Federico Pepe.

Exploring the socialist ruins.

A tribute to Nino Ferrer.

A publication by artist Lara Almarcegui focusing on the abandoned buildings in Beirut's Hotel District, located in Minet el-Hosn. This area was one of the front lines of the Lebanese Civil War in 1975, known as the "Battle of the Hotels."

By reorchestrating its previous pieces, the drum/violin duo Filiamotsa, here expanded by the saxophone, keyboards and trombone, has reinvented itself and enlarged its palette of sounds.

Special issue: five new projects by Maurizio Cattelan, Pierpaolo Ferrari, Federico Pepe, Luigi Presicce, and Nico Vascellari (limited edition).

A mapping of the young Mexican art scene.

A mapping of the young Mexican art scene.

Third album by Cocoon, the solo project of Clair Obscur's leader Christophe Demarthe.

John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner, at once monumental, minimal and immersive, using sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music.

Sixteen visual artists give their vision of Clair Obscur's album We Gave A Party For The Gods And The Gods All Came.

Soundtrack for an exotic elevator, innocent muzak, only a priori, an orchestra with sequins and cheap junk (the soundtrack of Pierre Beloüin's eponymous installation).

Profane carrots on the National Archaeological Museum of Athens' most famous pieces.

Cercueil's first album.

Three musics for films and installation—one of the most beautiful albums by Simon Fisher Turner.

A triptych tribute.

Artist's book by Federico Pepe (Le Dictateur).

Artist's book: a singular guide to contemporary ruins in Burgundy.

Reissue of Jim O'Rourke's album recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö, originally released on Mego in 2001, with a bonus disc featuring unreleased material from the same period, sourced from O'Rourke's vast archive, with new artwork.

A piece of concrete music based on voices of children of Lionel Marchetti's family, recorded in familiar holiday places.

Based on the curation of a space at the 2007 Lyon Biennial, architect and writer Markus Miessen has drawn together a group of people to lead conversations on the theme of Europe today.

An audiovisual performance that stages the texts of the writer Marc-Henri Lamande.

Tsé (Guillaume Ollendorff)'s second album.

Small luxurious artist's book in a black leather cover, presenting the Sinflex drawings series. 350 copies limited edition, hand numbered (first 20 copies signed by the artist).

The original music composed by Ghédalia Tazartès for the theater play "Jeanne la pudeur" after Nicola Genka.

A work in progress evolving from the numerous recordings Stephen Vitiello made of the sculptures of American artist Donald Judd in Marfa, Texas.

A project by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

This installation juxtaposes photographs of eight “landscapes” with “soundscapess” created by French sound artists, who made a free sound interpretation based on the chosen picture and collected raw sounds.

A record of Tuxedomoon covers.

Unreleased tracks by Pascal Comelade recorded here on a collector 10" vinyl numbered to 1 000 copies. Listeners will discover his covers of the Ramones, Chuck Berry, Jeffrey Lee Pierce, The Gun Club, Lords of the New Church (recorded live with the Bel Canto Orchestra in 2005 at the TGP in Frouard) as well as original pieces by Comelade. 

The Grief's greatest hits, with many unpublished, rarities and remixes.

The two French musicians Sébastien Roux and Eddie Ladoireextend their ambient explorations through drone guitars and digital manipulation.

Eighteen figures of the French New Wave scene reinterpret each one of their iconic titles.

A quartet of string and woodwind instruments brings together masters of free improvisation.

The first duo recording of Joëlle Léandre (double bass, voice) and Akosh S. (tenor & soprano saxophones, metal clarinet, tárogató, flute): a wonderful syntonic improvisation in a Hungarian synagogue.

The 7th Lyon Contemporary Art Biennal catalogue.

The third of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

Olivier Benoit (acousticized electric guitar) and Jean-Luc Guionnet (alto saxophone) present seven journeys, seven light touches, at times on the brink of silence.

The second of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

Derek Bailey improvises on guitar while reading poems by Ben Watson. Both pieces were recorded in 1993 and are taken from Ben Watson's book Out To Lunch.

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

A piece from an installation at the Centre Pompidou in Paris for the exhibition "Elysian Fields", with David Grubbs (guitar, electronics), John McEntire (drums), Noël Akchoté (guitar), Charlie O (organ) and Quentin Rollet (saxophone).

The first of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

A compilation of unreleased tracks by Eugene Chadbourne: four-track recordings at home, with his daughters, in the studio, in concert. A panel of all his art. Covers of Coltrane or Coleman on the banjo, of Nick Drake, of Phil Ochs, of Herbie Nichols, a jam session with Mexican improvisers... An incredible record that was ranked among his 7 best records by The Wire.

A tribute to Doug Sahm.

Costes works with rappers and Raï musicians: it's about the Algerian war, colonization, but also the colon in the anatomical sense of the term (as is often the case with Costes).