Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

The new project of Hervé Zenouda (Stinky Toys): a sophisticated and rustling electronic music.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

An overview of how creative practices are modifying the ways we think about both knowledge production and research in the cultural sector and in academia.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

Original archives from Konstantin Raudive and Gerhard Stempnik and some additional remixes.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

The new Tom James Scott record, the first document of his solo work since 2017.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

A reflection on an escape from the public sphere starting from a visit of Derek Jarman's house.

Co-editor: Rachel O'Dwyer; interviews with Kyriaki Goni, Tiziana Terranova, Roel Roscam Abbing and Dennis De Bel, Tim Shaw, Surya Mattu; Dreaming otherwise: the past and future of community wireless networks; We Organise You Music, So You Don't Have To; reports: FAEN 2019, Mud Muses, Nam June Paik exhibition...

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

An accordion and two turntables for an abstract musette.

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

Three multidisciplinary essays—from cultural anthropology to photography analysis—based on visual archives documenting the visit of writer, painter and politician Carlo Levi to an Albanian community in Southern Italy (second volume in the series “Archivi della Basilicata”).

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

This publication brings together a selection of family photos taken between the 1930s and 1950s by amateur photographer Anne-Marie von Wolff. A fascinating, powerful work, brought to light by her great-grandniece, artist Mimi von Moos.