Remastered vinyl version of Oren Ambarchi's landmark release, one of his most beautiful records, at once dense, deep and luminous.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A record resulting from a 12-hour participatory performance by the Danish collective.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.

Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo's jazz-inspired approach to improvisation.

Persistence of Sound celebrates the British composer Richard Orton (1940-2013) with a selection of electroacoustic and computer music from across his career.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

The immersive sound diary of a trip to Bali.

Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the history of music routes that Invernomuto has been carrying out for years, starting from the sound and the imagery it generates.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

Transformative solutions for food insecurity in the UAE over the past 50 years.

The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

The dynamic aspects of neurodiversity in creation, in the context of art therapy, or the production of contemporary visual art works.

An album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow, that testifies to his art of collective experimentation.

A two-part musique concrète piece by Canedicoda (Ottaven) and Renato Grieco (kNN).

Faitiche presents Groupshow's Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.

Lynn Cassiers and Jozef Dumoulin pay a luminous tribute to the music of the twelfth-century composer, abbess, mystic and poetess Hildegard von Bingen, in a setup of voice with electronics accompanied by pipe organ.

Previously unreleased music by Otto Sidharta, pioneer of Indonesian electronic music, inspired by Indonesia's multifarious styles of traditional music.

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

First vinyl edition (remastered) of the Swedish trio's third and most beautiful album (originally released on the Häpna label in 2005), produced by Marcus Schmickler (Pluramon).

The complete anthology of solo and duo violin pieces by legendary American experimental composer Christian Wolff, performed by the New York violin duo String Noise (Conrad Harris and Pauline Kim Harris).

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard.

Thomas Köner's eighth album, originally released in 2002, pressed on vinyl for the first time, including a 12 minute bonus track.

Thomas Köner's eighth album, originally released in 2002, including a 12 minute bonus track.

A very personal literary narrative, with a singular writing, of a migrant's experience of wandering and borders.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

A sonic time capsule translating the web-based project joyfully-waiting.ch into a tactile medium.

Morton Feldman's last composition, performed by dissonArt Ensemble.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

The astounding reedition of seven albums exploring the electro-acoustic experiments of Texan composer-performer Jerry Hunt and others affiliated with his Irida label.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

An exploration of the shifting acoustic ecology of the Western Isles.