Box set including a book and a film on DVD dedicated to the Theatergarden Bestiarium exhibition.

A synthesis of the multiple dimensions of the protean oeuvre of a legendary artist, which we measure today to what extent they find an echo in contemporary environmental, cinematographic, aesthetic and social issues.

Craig Kalpakjian is a pionneer in the use of digital software for artistic purposes. This first monographic book is an in-depth look at Kalpakjian's work Black Box, an installation featuring a robotic dog taking pictures. The artist examines this work in cunjunction with declassified CIA and Army Intelligence interrogation manuals. The publication includes an interview with Bob Nickas, and essays by curator Paul Wombell and Gilles Deleuze.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

Crossing perspectives on performance acts within the discursive space of contemporary art.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

In February 2016, French astronaut Thomas Pesquet produced aboard the ISS an artwork by Eduardo Kac, entitled Inner Telescope. This film documents the conception and the realization of the very first artistic performance in Space.

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

In this treatise, Jalal Toufic investigates the arts as the privileged site of thinking and confronts his thoughts with texts taken from the traditional religions and mystics of the past.

Charlotte Moorman by Deborah Walker; manifesto for a 21th century avant-garde music by Ulrich Krieger; Ulrich Krieger by Kasper T. Toeplitz ; Ring-Modulation #24: “From idea to sound;” photographic series by Marie Combes; disc reviews, and more.

The fourth issue of the annual research book-magazine at the intersection of architecture, art and economy, explores the figure of the living as the key to contemporary challenges. Contributions by experts in different fields of knowledge offers the opportunity to rethink our relationship to the ecosystem and the new technologies, and to bring forward the essential notion of cohabitation.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

A poetic and philosophical text investigating the use of the sentence.

Triple vinyl LP featuring a collection of recordings by by renowned visual artists (with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger & Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar et Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne, and Ricardo Valentim).

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

A book-DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

A literary and philosophic exploration of the various states of sleep. Embark upon a dreamlike path to the heart of sleep through the reading of four texts by Michel Butor, Clément Rosset, Pierre Pachet and Jean-Luc Nancy, and a series of sleepers.

A novel on the life and times of Janis Joplin.

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

New Ways of Doing Nothing highlights artistic gestures challenging today's inclination towards productivity and growth (with Robert Breer, Claire Fontaine, Mathias Delplanque, Marina Faust, Ryan Gander, Karl Holmqvist, Jiří Kovanda, Superflex, Mario García Torres...).

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

Liaisons urbaines [Urban Connections] chronicles the development and implementation of an eponymous programme for enhancing public spaces in African cities by operations that combine urban planning and development, design, art and heritage.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

Three films on the art of copying & the works of painter Jean-Baptiste Chardin.

A collective publication on Jean Genet and the arts.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”