9 interviews (Carroll Dunham, Genesis Belanger, Jonathan Gardner, Djamel Klouche, Yorgos Sapountzis, Elizabeth Glaessner...), 9 exhibitions and places in pictures (Dominique Gonzalez-Foerster, Pierre Huyghe, César, Sarah Lucas, Richard Hamilton's house in Cadaqués...), some artists special projects and texts (Ashley Bickerton, Sean Landers, Lily Van der Stokker, Peter Halley, Heidi Bucher), exhibition reviews, and chronicles.

Technology, intimacy and alternative intersubjectivities.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

A series of in situ improvisations on Mount Tamborine in Australia.

Space in the feminine.

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

The use by artists of objects coming from the collections of museums of art, science, and society.

Retrospective monograph.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

Thinkers revisit INTRA SPACE, an artistic research project that experiments with the substances, constructions, and manifestations of our bodies.

The complete edition of Takashi Homma's acclaimed homage.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

A collection of interviews and studies of performances that constitutes a crossing of the contemporary theatrical and choreographic landscape, re-examining the critical and theoretical tools that allow us to apprehend and think about current scenic forms.

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

Artists' book.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

A series of drawings made in Paris with felt pen in small notebooks. The hours-long work on the drawings, which are all made right on the spot, displaces Giezendanner into meditation and lets him perceive the urban space in different ways.

A wide-ranging collective reflection on the philosophical legacy, current resonances and historical articulation of May '68 and the Prague Spring (contributions by Jacques Rancière, Étienne Balibar, Michael Hauser...).

Klima #3 focuses on the occult, the spiritual dimension that emanates from the different encounters and cohabitations of the living and the non-living, the deviant and erudite aspects of witchcraft, magic, rituals, spiritism and their societal implications.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

First monograph.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

Of plants and men.

Heterogeneous approaches to legal criticism.

In this book, the animation of commodity objects magically ties together erotic frolics and political horrors: from a DC07 vacuum cleaner to a detention center for refugees, from little irons, socks and sweaters, to the particulars of post-Soviet power, and Vladimir Putin.

An archeology of Swiss experimental film.

An anthology of Pettibon's drawings.

New monograph.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

This issue proposes to examine some of the points of contact between music and hacking.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

The soundtrack of an interactive project around phantom islands—islands that appeared on historical maps but never actually existed. A collection of fictitious soundscapes, between field recording and exotica music.

Artist's book.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.