A protean series of works in which artist Fatima Mazmouz thinks her pregnant body as an artistic process and as a place of performance.

Ericka Beckman's Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980).

Taking the form of a choral novel, this publication gathers experimental narratives describing pedagogical experiments pursued by artists and curators.

The catalogue of the 18th Geneva Biennial, dedicated to artists' film and video, curated by Nora N. Khan and Andrea Bellini.

New monograph.

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s in poetry and performance clubs that have become legendary, featuring Pallotta's immersive photographs and texts by key figures from that scene.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep", issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.

An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.

Black Truffle presents a new edition of Kassel Jaeger's "Fernweh", returning François J. Bonnet's electroacoustic project to the label five years after the acclaimed "Meith".

Ayoung Kim, Tom Lloyd, Karimah Ashadu, Photography's Materialities (roundtable and portfolios), Rosemarie Trockel, Amie Siegel...

Retrospective monograph.

A2 size offset folded poster of Sylvain George's essay "What the Night Sees".

Adrià Julià: Not Even the Dead will Survive follows the meaning and production of currency in the context of photography. Adrià Julià's works—image, sculpture, and film—question the various modes of monetary representation.

The catalog of the fifth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2025, on the theme of music.

An unflinching photographic journey into the heart of Asia’s most intense and sacred rituals.

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

Mai-Thu Perret, Nicolas Ceccaldi, Genesis Tramaine, Mathieu Malouf, Tom Allen, Orson Gillick Morris, Lili Reynaud-Dewar, Laurie Simmons, Mark Leckey, Andrew Power, Josh Smith, Annette Messager, Larry Johnson, Joe Mama-Nitzberg, Ramsay McPhillips, Sarah Rapson, Michael Roy, Tom Burr, Mike Kelley, Sturtevant, Pierre Huyghe, Alexandre Singh...

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

A personal and intimate portrayal of the Neapolitan trans community.

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Assisted suicide activists; Lebanon under the bombs; activism at the museum; Laurène Marx; prison life at Les Baumettes in Marseille; in the poetry of Laura Vazquez...

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

Ingo Giezendanner's wild herbarium.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Two sides off shimmering, tense compositions—culminating as one of Alessandra Novaga's most creatively ambitious and conceptually rich outings to date—freely inspired by the life and work of the Russian director Andrej Tarkovsky and the music of Johann Sebastian Bach.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

An artist's book in which musician and sound artist Claudio Rocchetti questions the act of looking.

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features (book augmented with 151 sound examples to download).

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

Newton is a sound work conceived by Cesare Pietroiusti, an artist interested in micro-events, paradoxical situations, behaviour and minor gestures that make up our daily life. NEWTON is an epic of the fall, experienced, suffered and observed by the artist himself.

A board game and a communal ritual conceived by artist Angelo Plessas to explore self-made sacred spaces and inter-species connections.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

Turzets collects a pair of new works primarily created and recorded in 2023 while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland: somewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into a precise and ever-unfolding tapestry.

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

A music drama performed in the Hebbel Theatre Berlin in 1994—a key work from Sven-Åke Johansson & Alexander von Schlippenbach.

A retrospective of Elzo Durt's work since 2017.

A hybrid publication, between an artist book, a monograph and a field report on a lost work.

Classic DAUU 1995 debut album, reissued for the first time.

Classic DAUU 1995 debut album, first time on vinyl.

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

A Circle of Grey is an electroacoustic composition blending philosophical contemplation on transience, impermanence and musical exploration.

New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).