An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Special issue of the journal of philosophy and humanities, devoted to the multiple dimensions of emancipation.

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

Artist book / first comprehensive monograph.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

A series of compositions using environmental sounds and field recordings from the five continents.

Autobiography by Koo Jeong A is a collection of images chosen by the artist via Periscope. Each of them represents a work created by Koo Jeong A during her career.

The translated transcripts of two radio broadcasts by Artaud: To have done with the judgement of god (1947-48) and Madness and Black Magic (1946). Correspondences from that period are also included.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

A territorial project but also a collective, musical, social and political experience of listening and exchange.

Two of Antonin Artaud's foremost poetic works from the last period of his life.

Set of 8 postcards proposing each one the pattern (to cut oneself) of one of the 8 dice present in Robert Filliou's source installation Eins, Un, One.

One of Ghédalia Tazartès' final recordings, with Rhys Chatham, in 2018-2019.

The first issue of the new CNES Space Observatory reviex invites to discover the space universe from a human perspective through nearly 150 photos and graphic documents, analyzed by four researchers in human and social sciences.

Sound American Publications' 27th issue, The Life Issue, proposes a reflection upon the smallness—and largeness—of living amidst a tumultuous, globally-shared moment (featuring Claire Rousay, Susan Alcorn, Jack Langdon, Lea Bertucci & Audrey Chen, Katie Porter, Ahmed Abdul-Malik, Henri Pousseur, Chris Pitsiokos, Catalytic Sound collective, Ka Baird, Mazen Kerbaj...).

Part children book, part exhibition catalogue, Fake Star is a book about an exhibit in a National Pavilion in the Paris World Exposition 1900.

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

Rethinking the role of the museum today.

A beautiful reflective album built around the piano as a central element and inspired by the sound of whispering.

Algorithm as material and writing.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

The use by artists of objects coming from the collections of museums of art, science, and society.

Issues 31 to 34 of the critical review dedicated to graphic design.

The fifth and final part of Michel Surya's Matériologies: literature and thought to the test of the pandemic virality.

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Mehdi Belhaj Kacem and Bernard Stiegler talk about what links them to philosophy.

A search for the founding narratives of graphic design and typography (as there were such narratives in antiquity about art, painting, and sculpture) among Atlantist type designers of the 1930s, starting with the American typographer Beatrice Warde.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.