Issue 54 "Voicings" explores modes of being, perception and expression that have been historically and often violently disabled by society. Focusing on art practices that centre the perspective of D/deaf and non-verbal communicators, it proposes reconfigurations of voice, language and sound. It asks readers to tune into a chorus of voicings, not necessarily audible, but perceivable as "atmospheres", "vibrations", "rhythms".

Stanley Brouwn, Walter de Maria, Peter McGough, Art history after Black Studies...

For the fourth book in the In Practice series, Dyvik Kahlen architects explore the design process of the Villa Ruba, located near Utrecht.

This artist's book reflects Eva & Franco Mattes' continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.

7038634357 (Neo Gibson)'s first vinyl record, between soundscape, song, and silence.

Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

The first monograph by Swedish-Greek-American photographer and artist Florence Montmare showcases images made in 2021–22 while traveling across the United States from east to west (and back), to meet the minorities who make up today's America.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

Publishing as a discursive process and the book as a device of (re)formulation and enunciation: the culmination of a research program aimed at extending the notion of writing to all dimensions of editorial practice.

The Anti-aesthetic at forty, Chryssa, Sung Neung Kyung, Ed Ruscha...

The 56th issue of the design research journal, devoted to the question of writing in design practices.

Eileen Myles, motherhood and an artistic career, Kelly Reichardt, Pierre Creton, Julien Gosselin's sermon on the fall of Vienna, squatting on algorithmic video surveillance in Rotterdam...

An essay by Robert Bonaccorsi on Gilles Aillaud's highly unusual painting "La bataille du riz", illustrated by a portfolio containing the historical documents mentioned in the text, from museum archives or the author's own collection.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.

At the intersection between theatre, fashion design and poetry, Concours de larmes is a powerful text, both prophetic and unsettling. Based on the play of the same name presented at the TU - Théâtre de l'Usine in Geneva in 2022, it is presented in the form of set of divinatory cards, each character referring to a specific part of the text.

The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.

Giuseppe Ielasi's first album released on Oren Ambarchi's Black Truffle label continues the renewed exploration of the guitar that marks much of his solo work over the last few years: a major new work from a quiet master of contemporary experimental music

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

A long-term project by the Italian artist and agroecologist on rethinking the relationship with the earth, both from the point of view of humans and plants.

Leaving aside temporarily his practice of Revox and magnetic tape played live, Jérôme Noetinger proposes two drones: a monolithic vibration, enriched by sputtering and a few electronic elements, and a piece playing with the grain of sound matter, gradually densified before a long lull in a kind of white noise.

An anthology of 72 texts published by the online French contemporary art journal Lacritique.org.

Rosemarie Trockel, Mike Nelson, Lygia Pape, Tom Burr, Simone Forti, Deepfake Generation...

ASMR's low masses, the Russian punk scene's exile in Belgrade, Harry Gruyaert, insurrection and literature in Turin's prisons, Susanne Kennedy, Nicolás Pereda, a sociological analysis of police violence by Paul Rocher...

Victoria Shen; contemporary Arabic poetry: Rasha Omran; Anthony Pateras by Delphine Dora; Christina Kubisch in conversation with Carole Rieussec and Elena Biserna; Alexandre Chanoine; Sister Iodine; Léo Dupleix; Jeanne Lee; 80 album reviews...

The first novel by Swiss artist Johana Blanc.

An artist's guide to copyright, written for makers.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

Edited, translated and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud's last, most intensive and terminal work for the first time.

In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.

The screen age: art and video.

This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.

The temporal dimension of the image.

Photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

A symbolic and political science fiction short story written in four languages.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.