Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

A richly-illustrated monograph spanning twenty years of works by architects Dominique Lesbegueris and Christine Raynier. The publication includes an interview with the duo and a collection of poetic texts by Ève Delalysse, Stéphane Nowak Papantoniou, Véronique Bergen, Liliane Giraudon, Fédé Aranburu, Amandine André, Jean-Jacques Viton, Sarah Kérina, and Laura Vazquez.

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

A sourcebook / critical anthology of social art history.

A photographic artist's book focusing on a former cement factory in Sweden. Kriemann's concern with archaeology, archival materials, and lost narratives is once again affirmed in this publication which came as the result of a residency program in Gotland Island and for which she collaborated with poet Maria Barnas and writer Kirsty Bell, among others.

An anti-method of meeting that reaffirms the uncertain outcome of gathering moments.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

The reference monograph on the work of artist Agnes Denes, this profusely illustrated book aslo gathers an extensive selection of the artist's texts and manifestos.

Théo Mercier, Malika Djardi, Markus Öhrn, the online art market, Apichatpong Weerasethakul, French post-punk, being an artist in Central Asia, nudity on stage, the footballer as a modern artist, “Iran” special feature with Barbad Golshiri and Amir Reza Koohestani…

What can I know? What should I do? What may I hope? What's for dinner? More than two hundred years ago, on a day that takes quite a peculiar course, Professor Kant is working hard to give an answer to all these questions. Not only the morning papers, but also a slightly perfumed letter get in his way however. As a result, he even forgets to go out on his regular digestive walk—and everything goes off the rails… (an illustrated philosophy book for children).

Side Effects follows an international artistic exchange born from questioning the “sides effects” of artistic activity—sideline jobs, multiple works, choice, accident. This hybrid publication contains archives, photographs, notes and drawings as well as texts, interviews and images from art historians, sociologists, critics and artists.

1914. Europe is at war. The experts on deciphering code and secret writing are wild with excitement: What in the world can be the meaning of those incomprehensible notes scribbled by secret agent Ludwig Wittgenstein? The young scholar himself is unable to help them—he is hunting a wild beast, a figure of dubious existence… (an illustrated philosophy book for children).

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Martial Raysse's reference monograph: a comprehensive, luxurious and lavishly illustrated publication recounting Raysse's multiple pictorial metamorphosis since 1957.

Martial Raysse's reference monograph, with an original lithograph, numbered and signed.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

The publishing project Ennesima interprets and investigates the multiple, extensive thematic content covered in the eponymous curatorial project of seven exhibitions spanning over fifty years of contemporary art in Italy, since the beginning of the sixties to the present day.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

A photographic portrait of Kampala's bustling nightlife.

6th issue of the art and research magazine is dedicated to Pier Paolo Pasolini.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

The first monogaphic study dedicated to French-Lebanese filmmaker and photograph Jocelyne Saab and her works from 1970 to 2015.

The aesthetic and functions of the mirror in contemporary art.

New monograph.

First monograph.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

Thomas Blanchard, Roberto Minervini's America, Sébastien Barrier, David Cronenberg's first novel, the Athenian cultural scene versus the economical crisis, Nòvia, drone rock and folk music, looking back on Hong Kong's umbrella movement, Pierre Godard & Liz Santoro's For Claude Shannon, portfolio, poetry, reviews, cultural agenda...

A tribute to Canadian pianist Paul Bley, a portrait of Polish musician Zenial, Parisian reference record store Souffle Continu, interviews with Art Kill Art, Sarah Hennies, Daniel Buess, carte blanche to multidisciplinary artist Noémie Sauve...

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

A collection of monographic texts and essays by the artist.

This volume, published in parallel to Exhibiting the Moving Image, extends the inquiry into the history, theory and practice of exhibiting artists' cinema, video, installation as well as advertising films, by focusing on the domains of performance and of the “expanded arts.”

The place of films and moving images in the field of contemporary art.

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.