John Armleder delivers a series of drawings for his “autobiography”.

A booklet containing two musical pieces by artist Grégoire Motte and composer Gabriel Mattei.

A look back at all Nicolas Trembley's exhibitions over the past 10 years, the cross-fertilization of art and craft, and the various references he has used, both Western and Eastern.

A specialist in French philosophy and literature, and a key intermediary in Japan for the work of Deleuze and Guattari, Artaud, Beckett and Genet, Uno Kuniichi publishes in French his fundamental text on Antonin Artaud, a revised, recomposed and expanded version of his thesis, written under the direction of Gilles Deleuze in 1980.

Rirkrit Tiravanija's methods for making less.

IAM/PDR unveils a missing chapter in the cultural history of Argentine modernity. Through the intertwined stories of the Instituto de Arte Moderno and the Premio De Ridder, this two-volume publication reveals how a visionary patronage network connected Buenos Aires with the international avant-garde and shaped generations of artists.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

Rooted in Danish folk heritage yet shaped by contemporary experimental sound practices, the second album of Marie Kølbæk Iversen's musical and artistic project, blends spectral vocals, atmospheric instrumentation, and oral tradition into an immersive listening experience.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

A dialogue between two avant-garde figures, one poetic, the other musical.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

Retrospective monograph.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Studio Manuel Raeder's 2025 sticker calendar.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

73 images by Swedish photographer Louise Enhörning, including new works as well as some significant past pieces never before exhibited, emphasizing the concept of "lost time."

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

First monograph of the Brazilian feminist artist.

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

The outcome of in-depth research into the work of Bruno Richard and Pascal Doury, this anthology of the legendary magazine Elles sont de sortie (ESDS) retraces five decades of a corpus of nearly three hundred publications.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

An overview of the pictorial work of a leading figure on the Saudi art scene.

The latest chapter of Eritrea-born artist Dawit L. Petros's long-term investigation of the impact of Italian colonialism and its subsequent imprint on the visual cultures, populations and built environments of Africa, Europe and North America.

First monograph.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

An artist's book that raises the question of labour and working time.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

An overview of the pictorial work of a leading figure on the Saudi art scene.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

The richness of cultural exchanges between Italy and Switzerland, especially in terms of architectural culture, is the framework within which this publication was conceived and structured. The editorial project retraces and expands some of the themes addressed during the first seven years of the Swiss Talks, born in 2017 as a cultural partnership between the Istituto Svizzero and the architecture magazine Casabella.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

Artistic expressions of mourning.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.