A surprising book-object created by the artist.

A utopian and subversive take on how to make objects talk.

Deluxe edition of Jessica Stockholder's adult ABC, signed and numbered in a box set, including an original drawing and collages made from a “Sex Poem” by the artist.

The third volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

The second volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

The first volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

This book reassembles the most significant texts and images of works of the 80's art scene, focusing on the problematics of images and representations.

This book reassembles the most significant texts and images of works of the 80's art scene, focusing on the problematics of public and private space.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

Visible documents a research project by Cittadellarte-Fondazione Pistoletto in collaboration with Fondazione Zegna. The publication highlights nine curators, who showcase forty-one ways of making art.

A long interview between the philosopher René Denizot and the artist Robert Barry.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.

A reflection on the problematic of temporality, from an analysis of On Kawara's practice, also revealing certain important aspects of Cesarco's working methods.

The first volume of the sung interviews by mezzo-soprano Loré Lixenberg (with Phill Niblock, Pauline Oliveros, Trevor Wishart…).

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

An alternate temporal manifestation of the themes developped by artist Christodoulos Panayiotou and curator Omar Kholeif at the Cyprus Pavilion at the 56th Venice Biennale, in 2015.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

The quest for unknown, rumored, or hidden animals.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

Three interconnected essays on typography.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

A literary adventure resulting from a collaboration spanning several years between an artist experimenting with AI and an academic working on issues of literature, media, and attention.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

A novel about the coming-of-age of a gaze.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

Collected texts.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

Invited by Erik Verhagen, a group of artists from both sides of the Atlantic share their views on François Morellet's work.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Three texts by the Marxist theorist from the Czechoslovak avant-garde of the interwar period, Karel Teige, translated into English for the first time.

A diverse compendium of writing and visual art that addresses pertinent issues found in the work of artist Hiwa K.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.