Comprehensive monograph.

An exploration of the concept of the museum from an artistic and outside perspective.

Catalogue.

A project about the issue of animation and cinema in the field of visual arts, and the possibility to give life to the draw, the silhouette, the puppet, or the photographic image.

New and historical texts by artists, writers and cultural agents that ballades amongst the themes of seduction, glamour and politics.

Based out of Singapore, Kaleidoscope Asia is the first issue of the brand new, biannual and bilingual (Chinese/English) sibling edition of Kaleidoscope dedicated to contemporary art and culture from the Asia Pacific region. Under the art direction of acclaimed Munich-based Bureau Mirko Borsche, the magazine combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

The legendary fight between Muhammad Ali and Jürgen Blin in Zurich, covered by the photographer Eric Bachmann.

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

Box set including a book and a film on DVD.

First monograph.

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary. Limited edition accompanied by a real butterfly, on black cardboard, unique piece.

The first monograph and visual survey to explore the singular odyssey of John Severson, who revolutionized pop culture's vision of surfing and surf culture through his prolific artistic output that transverses decades and disciplines, through ephemera, painting, photography, film, and publishing.

Box set including a book and a film on DVD.

An exclusive publication of an important body of work by the late, internationally acclaimed Swiss artist David Weiss (1946-2012): Die Wandlungen (“The Metamorphoses”) for the first time reproduces all 82 series of graphic metamorphoses dating from 1975 to 1979 in Marrakesh, Carona (Switzerland), and Zurich.

Artist's book.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.

Nostalgia in popular music: a whole scope of various insights on the phenomenon of nostalgia, within a diversity of genres: French chanson, Canadian country song, cold wave…

Uses and Utopias – The Exhibition in the Pre-Revolutionary Russian Avant-Garde: an essay on the exhibition practice in Russia in the years 1910-1920, and in particular on the relationship between exhibition and public space in the projects of the historical avant-gardes.

First monograph.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

Artist's book.

In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

Long-range acoustic hallucinations for violin (Anthony Pateras) and piano (Erkki Veltheim).

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.

Performances of clarinet solo around the work of Roger Caillois & graphic scores (with Maurice Benhamou, Jean-Yves Bosseur, Michel Doneda, Jean-Luc Guionnet, Jonas Kocher, Ly Than Tien, Christian Rosset, and Matthieu Saladin).

A studio album of songs by Frédéric Le Junter (voice, texts and home-made instruments) and Dominique Répécaud (electric guitar), where the music is truly at the service of texts with a pataphysical and surrealist edge but still in the realm of popular music.

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

A cut-up piece recorded primarily in the first part of 2013, many tracks using field recordings and cassettes found on late winter tour down south, later edited and assembled in late 2015.

A "self-portrait" in which Jean-Pierre Raynaud draws on the book's inherent sense of time to trace his artistic journey since 1962, using personal texts written spontaneously and a selection of emblematic works.

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

Publication exploiting the book's physicality as a metaphorical space to express the artist's feelings after a breakup.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.