Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

Thomas Müllenbach's series Halboriginale (“Semi-originals”), which he worked on from 2005-2013, constitutes an artistic appropriation of art-related documentation found in his mailbox over the years. Each book cover is unique, individually designed by the artist.

The influence of cartoon on Duchamp's work.

Designed on the basis of a contemporary Baedeker, this book offers an original itinerary in the historic center of the city of Genoa. It is a city-guide that links different places and times, and that also moves from the habit of moving, investigated as a typical phenomenon of the Grand Tour—and that is the origin of the term “tourism”.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

Publication based on the eponymous series of works (“The Catalan painting lesson”, a devious and ironic presentation of traditional standards of academic painting), with an interview and commissioned essays by Brigitte Léal and Pierre Restany.

Covering visual artist Mariana Sissia's output between 2009 and 2015, this first monograph presents the work sustained with the same material, graphite, reaching levels of depth rarely explored.

A never-before-published selection of Paul-Armand Gette's lectures given between 1972 and 2015.

This richly illustrated edition presents the ten-year performance career of Bergen visual artist Agnes Nedregård, looking at her practice from a diversity of perspectives and media.

Spells is the first collection of Irena Haiduk's writing, gathering her texts and limited-edition publications since 2007.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

A "boutique book" by Matías Duville that reflects a specific project he did in the Argentinean Pampa as part of the Guggenheim grant.

A topographical book by architect Tobias Engelschall that gathers photographs of 100 Berlin buildings, capturing their transformation through time.

Art & sex special issue.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea.

An ambiguous portrait and evocative rendition of Clive Entwistle's life, the artist's grandfather and architect. Halfway between biography and monograph, this publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction.

Amy Lien & Enzo Camacho invited four other international artists from three different countries to participate at an artist's residency in Milan. Their preliminary idea was to think communication issues and artwork's ability to materialize the various forms of exchange. This catalogue covers the exhibition that followed this residency.

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

Sicilia Bambaataa is a booklet, risograph printed, which documents the namesake installation, a “soundscape” within the Museo Civico in Castelbuono, Sicily which plays in loop, repeating the audio recording of the dawn chorus, slowly diminishing as the city awakes.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

The Laban system of Kinetography: a handbook (first volume).

The Laban system of Kinetography: a handbook (second volume).

The Laban system of Kinetography: a handbook (third volume).

A series of geometrical abstractions forming symbolic totems that draw on the annals of visual history.

The story of an iconic work by Claude Rutault.

By creasing photographs from the golden age of porn magazine, Patrick Weidmann dismantles their deep-rooted conservative values and reconstructs an underlying aesthetics, an underside of desire.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Sylvie Fleury's chromatic and esoteric works from the 2000's are presented together for the first time with her classic pieces from the 1990's in this reference monograph. It thus offers readers a new way to register Fleury's contribution to the art of the last decades.

Céline Condorelli; emerging artists lga Balema, Darja Bajagić, Sasha Braunig, Rachel Rose, and Marguerite Humeau; the Museu Coleção Berardo in Lisbon with Pedro Barateiro; Ryan Gander; Michael E. Smith; Josh Kline; GCC Collective; Villa Design Group; Lena Henke and Anna Gritz; Wim Beeren; Jean-Max Colard on poetry in the exhibition space...

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

A fluid narrative of Lacaton and Vassal's oeuvre based on the duo's lecture at Harvard University in 2015.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

This monographic publication delivers an in-depth exploration of Moon & Jeon's collaborative project “News from Nowhere” premised on a postapocalyptic scenario: humanity has been almost entirely wiped out and is forced to reconsider long-held convictions that may no longer be tenable.

Artist's book.

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

The French translation of David Grubbs's long-awaited study of the role that sound recordings play in representing experimental music of the 1960s.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.