A photographic itinerary through the life of Adrià Cañameras and his girlfriend Mar in the heart of Madrid.

Music for two prepared pianos (Erik Griswold & Anthony Pateras) and electronics (Robin Fox) without precedent.

Instruments that sound like instruments: the debut album from North of North, featuring Anthony Pateras (piano), Scott Tinkler (trumpet) and Erkki Veltheim (violin).

Featuring: Finn Brunton and Helen Nissenbaum on their book Obfuscation – A User's Guide for Privacy and Protest, interviews with Mushon Zer Aviv, Francisco López, Jacob Kirkegaard, Benjamin Grosser, and Nick Montfort, reports on Media City – Intermedia Art Festival, Piksel 2015, Renewable Futures Festival, digital news, records and books reviews…

Postcards from Home documents the encounters between Roc Herms and several different avatars during his years of participation in a virtual world created for Playstation 3.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

In the last of the wild lands: an exploration of the world's least hospitable territories which have made and still make human settlement difficult or impossible. The study is conducted by means of three work tools: a Glossary, an Atlas and a travel guide.

Artist's book in two volume.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

Richard Wentworth plays the Drawing Room Confessions.

An unpublished novel by one of the great figures of Land art.

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.

Published for the first time, a selection of notes from the artist's private diaries.

Bruce McLean plays the Drawing Room Confessions.

Monograph / artist's book.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

Datumo! recounts a quantification experiment lead by Julien Prévieux and based on the gazes of an audience watching artworks.

Nantes-based artist Mathias Delplanque combines a variety of instruments (guitar, bass, melodica, kora, synths…) with live electronic treatment to create a series of eight melancholic pieces which gives prominence to chance and accident.

Contributions by Bless, Elein Fleiss, Susan Cianciolo, Yurie Nagashima, Pascale Gatzen, Ryoko Aoki, Takashi Homma, Nobuhiro Shimura, Yukinori Maeda.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

An account of the 21st edition of the CSAV—Artists Research Laboratory—a workshop for young artists held every year at the Fondazione Antonio Ratti, Como, with invited artists Yvonne Rainer and Andrea Kleine.

Artist's book / exhibition index.

This issue considers the revitalization of pastoral narratives in contemporary art and recent artist contributions to radical theories regarding the so-called “end of nature.” Featuring: Dena Yago, Peter Nadin, Lawren Harris, Hayley Silverman, The sea in Cuban art, Charles Lim, The architecture of seasteading, Julia Tcharfas & Arseny Zhilyaev, Darren Bader, Mark von Schlegell, Dominique Gonzalez-Foerster...

The first fifteen years of Patrick Tuttofuoco's career in 16 written portraits.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

This issue brings together four articles (by Michel Antony, Loïc Foulon, Gilles Gourbin, Jean-Claude Sosnowski), two projects (by Michel Cordillot and Patrick Samzun), and a great number of reading notes which demonstrate the significant vitality of the research on Fourier, Fourierism, and utopia.

Alexandre da Cunha plays the Drawing Room Confessions.

A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

This reader brings together the first 8 issues of Postdocument, the magazine on exhibition photography.

An account of Lutyens' long-term Hypnotic Show at Documenta 13 in 2012.

Monograph / catalogue dedicated to the work of kinetic artist and co-founder of Gruppo T Grazia Varisco.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

First monograph.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

A textual and visual account of Schaerf's FM-Scenario, an inter-media project using the Internet as a production site for generating content for further media. The core of this project is a fictitious radio station, moderated by a computer program meant to guaranty his listener full freedom of speech.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.