Catalogue of Vezzoli's double project at Museion: as guest curator, presenting an exhibition of the Museion collection, and as artist, with the first complete retrospective of his sculptural work.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

First monograph.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

The birth and life of video art.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

The third issue of Gong! brings the psychedelic tradition back to life with a series of handcrafted black & white illustrations by graphic designer Arnau Pi.

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

Considering the relations between art and football through the example of an artwork commissioned by the Red Star Football Club as part of the “New Patrons” program, initiated and supported by the Fondation de France: a polyptych composed of eight oil paintings on wood panels, offering different viewpoints of the stadium and the life of the club.

Nik Emch and Laurent Goei teamed up to form Minimetal back in 1994 and have been making sound-performances ever since. The publication contains 13 hours of their music, videos and 307 photographs—a collection gathered together in this photobook.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

This catalogue documents the eponymous double exhibition examining the ambivalent notions of transparency and opacity in the globalized world and their reflection in the work of contemporary artists.

Vitrine is the catalogue of the namesake project organized by GAM museum in Turin. Beginning four years ago, “Vitrine” has as its primary objective the research in the field of contemporary art. The title of the 2015-2016 edition, “Possibilità” (Possibilities), refers to the transformations that take place during one's life and their fluid and uncertain nature which is retraced in art.

A journey through the visual universe of Fabian Marti, whose mystical photograms celebrate the alteration of consciousness through substances and shapes.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

The enticing story of fashion label Thema Selection and its founders, contemporaries and companions.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

FAQ is an accordion-fold art publication edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. Coinciding with the 10th anniversary edition of Le Dictateur, the first volume includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith Bernstein among many others, and will expand into a yearly series.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

The nocturnal strolls of the Italian photographer in the empty streets of Venice

In 2015, musicians Urs Leimgruber, Jacques Demierre and Barre Phillips gave a series of concerts on both sides of the Atlantic with their band LDP as part of the “Listening” Tour. Listening is their tour's logbook and gathers memories, anecdotes, thoughts and pictures.

A photographic documentation of an installation work by Abraham Cruzvillegas as part of his “autoconstrucción” project referring to the concepts of incommunicability and intelligibility through the figures of Mexican composer Julián Carrillo and Günter Grass's fictional character Oskar Matzerath.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Conceptualized by Nina Canell and Robin Watkins, this monograph accompanies the artist's first solo exhibition in Asia and consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation. Contextualized by both recent and earlier works, the exhibition and book considers sculpture as a medium of storage, transmission and reception.

1914. Europe is at war. The experts on deciphering code and secret writing are wild with excitement: What in the world can be the meaning of those incomprehensible notes scribbled by secret agent Ludwig Wittgenstein? The young scholar himself is unable to help them—he is hunting a wild beast, a figure of dubious existence… (an illustrated philosophy book for children).

New monograph.

What can I know? What should I do? What may I hope? What's for dinner? More than two hundred years ago, on a day that takes quite a peculiar course, Professor Kant is working hard to give an answer to all these questions. Not only the morning papers, but also a slightly perfumed letter get in his way however. As a result, he even forgets to go out on his regular digestive walk—and everything goes off the rails… (an illustrated philosophy book for children).

Ultimo Cielo documents a musical project forming part of the New Patrons program: a piece for an amateur orchestra inspired by the works and practice of Italian Situationist painter Pinot Gallizio.

Artist's book by French filmmaker Virgil Vernier, Arcana I is the first of a series of books designed to build up an archive of the present time through a collection of emblematic documents from the 21st century produced by media, advertising and Internet. Arcana I gathers images of luxury watches cut out from magazines, with no typographical mention so to reveal the peculiar aura of these objects.

Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. This first monograph offers an overview of Hominal's practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

Umberto Eco's open work theory, David Hammons, Bret Easton Ellis and Alex Israel's collaborative text paintings, individuality and community in Mélanie Matranga's environmental art, Bill Kouligas's Berlin-based record label PAN, åyr art collective, Martine Syms's inquiries into representations of blackness, a late-in-life interview with William N. Copley, reviews…

I Marziani discovers and reconsiders certain chapters of Italian art history from the last century through works on paper (most of which have never been shown in museums) from the angle of new visual and intellectual intersections.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.