New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

The limits of the participatory game in nowadays democracies.

This first monograph dedicated to Maxime Bondu's work includes an essay by Daniel Kurjakovic and focuses on nine of the artist's essential installations. Numerous sketches, drawings, mock-ups, archival material and exhibition views contribute to throw light on an experimental, speculative oeuvre that explores alternative readings of the world, history and society.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

Starting from the art collection of the museum M in Leuven, Vilanova reflects on the artof exhibiting and explores display modes from showcases to postcards.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene.

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

This first comprehensive publication about the Silent University introduces the initiative—a solidary school by refugees, asylum seekers and migrants—and contextualizes it in the wider framework of both radical pedagogy and socially engaged art projects.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

Retrospective monograph on all Beckman's video works since the 1970s.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

Recordings from Riehn's student years, including two versions of the composer's electronic translation of Lautreamont's masterpiece.

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

New monograph.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

The graphic tabloïd's brand new issue—for the first time in full color.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A swan song for Vienna's drinking dens.

A photographic attempt to capture the elusive nature of the Californian landscape.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

Special issue featuring an original collection of 24 short literary works by visual artists and writers—in addition to the usual contents.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

The fictional diary of Gabriel Krampus, an artist who has been living with his artist wife on a deserted island of the Indian ocean for 44 years.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

Amateur is the first comprehensive publication about Wendelien van Oldenborgh's moving image works, and their accompanying installations.

Ten years of ceramic work by an important figure among post-war artists.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.