The late Maria Lai; Bruce LaBruce's latest film The Misandrists; the Apollonian and Dionysian in the work of Jill Mulleady; Patrick Jackson; Xavier Veilhan, Christian Marclay and Lionel Bovier talk about their collaboration for the French Pavilion at the 57th Venice Biennale; Yan Xing's art of absence; 1996 interview with Vija Celmins by Jeff Rian; exhibitions reviews…

An unconventional catalogue gathering a rich iconography and the main text by curator Giacinto Di Pietrantonio, alongside a series of brief testimonies from seventy international artists, telling the alternative story of an icon and his corpus (includes texts by Cory Arcangel, Maurizio Cattelan, Enzo Cucchi, Jan Fabre, Victor Man, Alessandro Mendini, Tim Rollins, Marinella Senatore, Ian Tweedy…).

This catalogue presents the projects of artists, designers, writers, directors, musicians, performers, philosophers and researchers in residence at theVilla Medici – French Academy in Rome during the year 2015-2016.

Drawing on examples from France and the United States, this publication offers a multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society (adaptated from a French publication on the New Patrons's activities, updated with contributions from the Anglo-American intellectual scene).

An essay conceived as an intellectual portrait of the German writer, psychologist and art theorist Karl Philipp Moritz, whose purpose is to investigate the relationships between aesthetics, psychology and anthropology in the second half of the 18th century, and the importance of their simultaneous development for the debates about art after 1800.

A collection of 37 postcards based on family pictures gathered by the participants of a collective workshop held by the artist and writer Valérie Mréjen. The postcards tell two fictitious family stories, which the reader can freely rearrange to create his own narrative.

An examination of recent cases of boycotts by artists, presenting their political, ideological, and economic contexts, timelines, statements, as well as interviews.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Born from the collaboration between the Australian musician Hugo Race and the Belgian violinist Catherine Graindorge, the music of LDO is an intensely atmospheric dreamweave of violins, electronics and Hugo's darkly evocative voice. The duo explores metaphysical lyrics, experimental sounds and retro-baroque orchestrations in a romantic, song-based context.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

This large-format artist's book (40 x 40 cm open) brings together graphic works by Claudia Comte. Mathematically structured like a Cartesian coordinate system, the publication folds and unfolds so that it can be read in four different ways. The book becomes a geometric play space in which to discover the many facets of Comte's visual identity.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.

Catalogue of the 16th Art Quadriennale—the exhibition that brings together in an in-depth and articulated manner, the artistic and cultural production of Italy after 2000. The publication includes a photographic documentation revealing the 150 works on display, a glossary, and bibliographical notes.

Publication gathering an extensive selection of drawings produced by the German artist since the mid-nineties.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

This issue dedicated to documenta 14 addresses themes, artists, and projects spanning between Athens and Kassel. Including: Moyra Davey by Quinn Latimer; Vivian Suter & Elisabeth Sussman; Roee Rosen; “Preliminary notes for a Black manifesto” by Rasheed Araeen; Khvay Samnang “; The Globalised Museum?” by Bonaventure Soh Bejeng Ndikung; articles by Kirsty Bell, Irena Haiduk, Pierre Bal-Blanc, Neni Panourgiá, Dieter Roelstraete, and more.

Interviews with Dominique Grimaud by Philippe Robert, and Noël Akchoté by Kasper T. Toeplitz; Jérôme Noetinger; the Japanese musical scene by Jacques Debout and Michel Henritzi, visual contribution by Marie Combe, tribute to Bobby Bradford, Fred Van Hove by Gérard Rouy, Italy and the work of Attila & Jacopo Faravelli by Jean-Kristoff Camps…

Spike #51 raises the question of the social role of art, and many more, with: Grzegorz Kowalski; Bob Flanagan's Visiting Hours; Angela Bulloch on Damien Hirst; Cyprien Gaillard's Desniansky Raion; a roundtable with Chus Martínez, Michaela Meise and Dieter Lesage; Dorothea Von Hantelmann; Kenny Schachter; Daniel Baumann; the portraits of Dorothy Iannone, Tetsumi Kudo, and Marie Angeletti; an interview with Josef Strau; an essay by Jan Verwoert; the TV series The Crown; Andrew Berardini on Jimmie Durham's retrospective in LA…

This issue dedicated to Jamaican music studies presents and analyses the main characteristic features of these musical forms—from riddims to sound systems—and their associated issues—from culture to slackness. The publication features nine articles and twelve book reviews written by leading world experts (including 7 Jamaican researchers). Watch out Babylon!

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

Hallucinogenetic experiments and Persan lycanthropy.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

The avant-garde of the 1990s.

A collection of texts by artist and designer Olivier Peyricot, documenting his research and experiments since 1997. For twenty years, Peyricot has been questioning the political and social dimensions of design.The publication also features a rich iconographic documentation.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

Series of collages based on guitar patterns found in album covers.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

A three-part fiction relating the daily lives of characters at the beginning of our century: the artist alternates reality and fiction, developing themes at work in his visual practice. As usual, the author involves a series of contributors.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

A collection of poems describing a post-human Earth. 2018 Swiss Literature Award winner.

In the intimacy of France's 1980s underground: the life and time of art collective Frigo.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.