185 photographs of everyday objects secretly made by inmates in their cells.

Audio project based on field recordings which took place in various locations in New York, U.S.A, Gotland, Sweden, Rio De Janeiro, Brasil and the Greek countryside. Featuring soprano Irini Kyriakidou, this electronic immersive piece is fully part of Novi_sad's visual approach of sound.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

Since 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including Horse Day, his first project in the USA.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Kathy Noble on narcissism in recent art; Robert Barry on Erkki Kurenniemi; John Knight; Seth Price; Julia Weist & Nestor Siré; Johannes Paul Raether; Yan Xing; Trix + Robert Haussmann; Kevin Jerome Everson; Leilah Weinraub; Lantian Xie; Basma Alsharif; Duane Linklater; Robertas Narkus; “Let's Make Protest Great Again” by Jens Hoffmann; “Weeping, Dreaming, Fucking, Laughing. This Is How Some Revolutions Get Started” by Andrew Berardini.

65 real-life stories featuring street hawkers—collected by Benavides while he was traveling by bus in Colombia. Hilarious or tragic, this collection of texts tells the cycle of gifting and counter-gifting in which clients and hawkers are engaged into.

Discovering the id, ego, and superego with Dr. Freud (an illustrated philosophy book for children).

Sculpture in a Digital World: “Digital Fabrications”; “Assembling the Post-Fordist Social Factory”; “Sculptors And Technology: Beyond The Digital”; Null Object: Gustav Metzger Thinks About Nothing by London Fieldworks; Jesse Colin Jackson's Marching Cubes; the 3D Additivist Cookbook; interviews with Grégory Chatonsky & Dominique Sirois, Erika Lincoln; the 6th edition of La Littorale; reviews and selected publications…

Fashion designer Rei Kawakubo's solo show at the Metropolitan Museum of Art; interview with William Pope.L on the occasion of his sound installation/performance at Documenta 14; Lindsay Lohan as a cultural phenomenon; interview with Pier Paolo Calzolari; the enigmatic art of Rodrigo Hernández; the choreography of Ligia Lewis; the filmmaking of Park Chan-kyong; exhibition reviews.

Taking as a starting point Hamilton's “Reaper” series—inspired by the work of Swiss historian and critic of architecture Sigfried Giedion—this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.

The future of the exhibition space; virtual reality; Documenta 14 in Athens; Liam Gillick on Rirkrit Tiravanija's “untitled (1992) free”; Q&A with Benjamin H. Bratton, Adriana Lara, and Rózca Farkas; Karen Kilimnik by Barry Schwabsky; images contributed by Elad Lassry, Sophie von Hellermann, GCC, Alex Da Corte; reviews from Austria, Berlin, Switzerland, Brussels, Paris, New York, and Los Angeles…

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Catalogue of the first European retrospective dedicated to a major figure in Japanese contemporary art. Situations focuses on Suga's entire career, among the prime movers of 1960s group Mono-ha, and documenting over twenty of his installations, dating from 1969 to the present.

Halfway between the catalogue and the artist's book, From Some Paintings gathers a selection of still life paintings made between 2000 and 2010. Translated into black and white images, these works represents small everyday objects, alternating full size reproductions and details.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

Artist Sara van der Heide converted the German Library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. The publication features the original multilingual booklets, a documentation on the exhibition and a critical reader.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

New monograph of one of the most important artists rooted in Eastern Europe.

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

An historical survey of globalization in contemporary art.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

For two years, Eric La Casa has been recording the urban sonic environment of Paris from the windows of his own apartment. Between a temporary inventory and a musical documentary, Paris Quotidien is the result of this long experiment. Includes a 60-page documentation booklet with photographs.

A queer travelogue of a boating voyage on Belgium's inland waterways with merman and singer Steev Lemercier in the company of Chanel and Dolce, who are a cat and a dog, during the first months of their friendship with the author. With photographs by César Segarra.

This publication provides a peek into the practice and work of the Swiss artist, using a selection of black and white “behind-the-scenes” photographs taken from Kaspar's hard disk. An additional booklet includes a list of works as they appear in the book as well as a text by artist Mikael Brkic and a longer essay by art historian Daniel Horn.

This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

A collection of multidisciplinary essays assembled as cadavres exquis and inspired by the magical-financial theories of Finnish-Swedish alchemist August Nordenskiöld (a project by Swedish artists' duo Goldin+Senneby).

11 pop songs inspired by artworks from the Frac Île-de-France's collection.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

Reference monograph dedicated to the pioneer of digital poetry in France, including documentation illustrating recent projects as well as all theoretical texts on digital poetry written by Donguy from 1984 to 2015.

Rereading L'Origine du monde and the relationship between Gustave Courbet and James Whistler.

A tribute to the long collaboration between Franz West and Galerie Eva Presenhuber, this volume offers a comprehensive yet singular overview of the artist's oeuvre, gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together since 1995.

A “man” tells his fabulous past as an ape, from his capture to his adaptation to the world of men, to the members of an Academy of Sciences. This edition of A Report to an Academy, a short story by the great Kafka, is accompanied by a musical piece especially written by Nurse With Wound (here, Steven Stapleton, Colin Potter, Andrew Liles, Matt Waldron, Quentin Rollet, and It could be Worse).

Constructed around three themes—an essay, a series of interviews, and an exhibition catalogue—this publication studies the links between contemporary art and sport with a specific focus on the notion of game.

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man's rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been considered over time.

The young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light (an illustrated philosophy book for children).

The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.

Diogenes as a dog (an illustrated philosophy book for children).

This publication extensively documents the exhibitions and activities of M/2, a local but emblematic example of an artist-run space founded at the end of the 1980s in Vevey, Switzerland.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.