Richard Tuttle and color.

A glimpse into the genesis of Harun Farocki's film IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR (1988), which evolved from the unrealized project "On the History of Labor" between 1985 and 1988.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

Moving across personal anecdotes, moments in history, cultural memory, and scientific did-you-knows, Mario Santanilla's Still Life takes the reader on a virtual journey across a range of sights and sites.

Ben Alper and Stanley Wolukau-Wanambwa present visual unknowns and forgotten gestures from the defunct archives of American mid-century news photography.

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

An essay by the French composer that provides some perspective on his musical concepts and formulates his vision of music and society.

The Alien Issue features writing on the alien and alienation by Sarah Hennies, Franklin Bruno, inti figgis-vizueta and James May on listening to ourselves and each other, Marc Hannaford, Nicole Kaack in conversation with Jeremy Toussaint-Baptiste, Charmaine Lee and id m theft able on building a home, Matana Roberts, Jacob Wick, Wendy Eisenberg, Chris Pitsiokos and Ben Young on WKCR and Triple Point Records, a contribution to the 2019 exquisite corpse series by Lester St. Louis, and more. The print edition includes very special full color reproduction of Charles Gaines's Librettos.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

New monograph.

A series of illustrations depicting automobiles set in a chaotic post-apocalyptic world, inspired by the dystopian aesthetics of the 1980s and 1990s.

Exhibition catalogue.

A talk between three artists around Julia Scher's work.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

First major retrospective monograph dedicated to the Franco-Lebanese sculptor.

Thomas Krempke's photographic diary.

Klima #2 focuses on the global ecological crisis, the impact of human activity on its environment and the interdependence between the entities that make up the Earth.

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.

Catalogue.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

This historical essay recounts the story of the EXAT 51 collective—the first Yugoslavian abstract art group—and how it shaped the idea of abstract socialism by associating socialist cultural politics and modernist artistic practice.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

This artist's book derives from a series of videos documenting the present situation of six unrecognized Republics on the border of Eastern Europe and Western Asia. Vellahu collects the collective memories of people and lands which have been affected by years of war and by the politics of borders.