In the spring of 1949, while they were shooting “Stromboli” on the island of the same name, Ingrid Bergman and Roberto Rossellini began a love affair which was to cause a scandal. The great photographer Federico Patellani documented the development of the film as well as life on the island.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

An insight into the radical film praxis and extensive oeuvre of Serbian filmmaker Želimir Žilnik.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

Rehousing is the title of a series of works by Peter Friedl which comprises a selection of individual, intricate, and true-to-scale models of houses. Collectively, these structures materialize as constructed environments that reflect the recent past, different biographies, and ideologies in diverse ways; they are “case studies for the mental geography of an alternative modernity.”

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

In this book, the animation of commodity objects magically ties together erotic frolics and political horrors: from a DC07 vacuum cleaner to a detention center for refugees, from little irons, socks and sweaters, to the particulars of post-Soviet power, and Vladimir Putin.

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

Aurel Schmidt's drawings.

A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.

This publication explores the pioneering role of 19th century photographer Eadweard Muybridge in the development of moving-image projection. The study also maps the exceptional influence of his experiments on contemporary world's visual form.

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

First monograph by Charlie Engman, the rising star of fashion photography: a vast series of pictures (500 images) of his mother, made over the course of more than a decade. With texts by Rachel Cusk and Miranda July.

This monographic study catalogs, explores, and interprets the manifold manifestations of music in Thomas Pynchon's novels.

The 14th issue of Nakako Hayashi's graphic journal, on the theme of collage.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

Catalogue, with a series of photograms, exhibition views, an interview and a text by Clara Schulmann.

Artforum asked 20 artists, writers, and collectives to contribute essays and projects reflecting on the pandemic and the worlds it may make and unmake.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

How have artists over the past 150 years related to migration and exile? And what role can a museum play in times of mass migration?

The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years.

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

Bri Williams by Harry Burke, Virginia Overton by Ian Wooldridge, Pati Hill by Maurin Dietrich, Ann Greene Kelly by Andrew Berardini, On psychotic images and other visual symptoms by Aurélien Le Genissel, Todd Haynes's Dark Waters and new new left cinema, Larry Bell by Marie de Brugerolle, Pierre Guyotat by Estelle Hoy, Gabriel Kuri by Chris Sharp, Suellen Rocca by Hans Ulrich Obrist...

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

An archeology of Swiss experimental film.

Original archives from Konstantin Raudive and Gerhard Stempnik and some additional remixes.

The book contextualizes the Creativity Exercises—an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977—within the postwar intellectual networks that connected artists, architects, educators, sociologists and other socially engaged professionals.

In a period of transition, loss of horizons, rethinking of known schemes and expectations, between trying to catch up with digital acceleration and dealing with a content overload, Cura. translates the vocabulary indicative of this new decade by republishing a thoughtful selection of contributions from its archive.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Catalogue.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

First French translation of Shulamith Firestone's first novel.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.