A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

Release of conceptual and perfomative pieces by Christina Kubisch composed & realised between 1974 and 1984, during Kubisch's years in Italy.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

This publication explores the key tenets of artist Nicoline van Harskamp's research and practice, such as the contemporary use and modification of languages, a treatment of names as spoken language rather than spelled identity markers, and the practice of self-naming.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

A conversation about performance, genre and cinema in the subversive work of Brice Dellsperger.

The first book to cover the entire span of the “anarchitect” Gianni Pettena's career.

The essays of this book transverse the vqrious dimensions of standstill as an in-between of time (with essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach).

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

Rethinking cosmopolitanism without its exploitative grip through alternative traditions and practices of the cosmopolitan from across the globe.

The question of the voice and its prominent role in our postindustrial society.

Interviews with Dasha Ilina, Forensic Architecture, Screen Walks (Marco de Mutiis + Jon Uriarte), Michele Spanghero; Emergency music by Pirate Care; Masks: The Face between Bodies and Networks; reports, news and 35 books, DVDs & CD reviews...

A panorama of the contemporary art scene in Italy (exhibition catalogue).

Double issue, featuring Park McArthur, Benjamin H. D. Buchloh on Luciano Perna, Garrett Bradley, election 2020: artists' projects...

A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community.

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

The account of a collective study around the question of the irreversibility of the damage caused by extractivism and accumulation for common spaces and living conditions, in their political, social and aesthetic dimensions.

In Exhibition-ism, theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary.

A study of clouds through photographs, drawings, essays, and interviews.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

Jim O'Rourke's masterful abstract contribution to the MMXX series.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

Issues 23 to 26 of the critical review dedicated to graphic design.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

The current state and future of painting in the digital age.

The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

Artist's book.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

From 1970s to his death in 2000, scientist, artist and art collector Andreas Züst spent time in Greenland, photographing ice in its most diverse forms. This publication gathers a selection from this extensive collection, alongside contextual essays.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

A manifesto for possible future music.

A manifesto for possible future music.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

New monograph.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

A writing project around the English poet and playwright Aphra Behn (1640-1689), an avant-garde feminist and protest figure who was one of the first writers to make a living from her pen and establish herself on the London theater scene.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

First issue of the international journal on amateur and DIY media.