Vincent Lafaille reinvents a poetics built on the rhythm, sometimes hesitant, staggering, of walking, in a fragmented narrative that is rooted in the time of social movements (from 2016 to 2020) where the question of how to reinvest our cities and our lives—our present—raised.

A punk philology (with Simon Critchley, Emanuele Coccia, Dennis Cooper, Cosey Fanni Tutti, Kim Gordon, Donatien Grau, Richard Hell, Paul McCarthy...).

Biodiversity in nowadays' visual arts, featuring Pamela Rosenkranz by Nicolas Bourriaud, Agnieszka Kurant, Chitra Ganesh, Pan Daijing, Sex Ecologies: A New Consciousness by Mariana Lemos, Simone Forti, Nour Mobarak, The Cure of the Mind: On Taloi Havini's Answer to the Call by Chus Martínez, Free My Mind, Artpop: You Make My Heart Stop (For Lady Gaga) by William J. Simmons, Carol Bove, Virgil Abloh...

Artist's book.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

An eclectic compilation of smart-phone snapshots from the past four years of the photographer's daily adventures.

The portfolio of the exhibition at the Jeu de Paume: a panorama of the visual inventions of the photographic avant-gardes, in the heart of MoMA's modern photography collection.

Xavier Veilhan's drawings.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

A reference book containing all the transcripts of Simone Forti's News Animations.

Marialba Russo's collection of photographs of Italian porno film posters from the 1970s, questioning both the view of the original images and their later exhibition.

Retrospective monograph.

Drawing as a sculptural medium.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

First monograph.

This monograph dedicated to the sculptor Klara Kristalova is a tribute to her whole work, revealings on the one hand her drawings and on the other hand her sculptures, sometimes in various exhibition places.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

Industrial production processes applied to literary translation and cultural creation.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

French designer Gregory Granados imagines the ideal shape of a vase/flower pot for a dancing plant. His discreet and subtle research questions the connection between the shaping of a given material and the sound it emits, investigating the acoustic properties of glass.

The architectural images of the famous photographer on the island of Procida off Naples in 1972, presented for the first time.

Exhibition catalogue.

Gabriele Basilico's previoulsy unpublished photographs in the strip-tease theaters and nightclubs of Milan in the 1970s reveal a new dimension of his oeuvre.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

This book is a documented and illustrated manual of the turntablism practices developed by Maria Chávez over many years. It encourages experimentation and personal research through numerous examples and detailed instructions.

Yann Gourdon's new album (hurdy-gurdy) continues his exploration of places and their history through sound.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

A "poly-autobiographical" musical combinatory poem inspired by the life stories of a group of musicians whose testimonies Alessandro Bosetti has collected, exploring the shifting and multiple dimension of identities through voice expression, between electro-acoustic research, jazz and experimental opera.

Binding a deep social and political conscious with rigorous musical experimentation, the Brussels based, Italian pianist, performer, composer, Giovanni Di Domenico, delivers Downtown Ethnic Music, the 4th instalment of Die Schachtel's Decay Music series, focused on inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

Retrospective monograph.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene (Vito Acconci, Matthew Barney, Rhys Chatham, Tony Conrad, Henry Flynt, Milford Graves, Christian Marclay, Phill Niblock, Suicide, Michael Snow, Tom Verlaine, Yo La Tengo...).

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

Unholy Movie is an edition inspired by the films of Vincent Epplay, associated with an original fiction of Daniel Foucard. An audio K7 is included.

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The first publication of a lost 1978 text by Peter Gidal—one of the most influential experimental filmmakers ever.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

This third issue of the research journal ZINES, the second of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. Contributions in this volume feature themes such as the body, heteronormativity, while showing us the flip side of the conceptualization of queer.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

A series of essays conncerned with the ethics of writing (about people and art), as well as a reflection on the identity politics of the early 2000s.

You Got to Get In to Get Out. The Never-ending Sound Continuum is one of the elements that integrate an homonymous curatorial research project that takes place at La Casa Encendida (Madrid) based on the vision of techno as a cultural, social, historical and material entity by curators Sonia Fernández Pan and Carolina Jiménez.

The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

Bastien Aubry's sculptures.