The meeting between the artist and the philosopher, working together to create a common space.

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

An absorbing sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) by C.W. Winter & Anders Edström, with musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

Artificial intelligence and temporality.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

The fifth and final part of Michel Surya's Matériologies: literature and thought to the test of the pandemic virality.

An attempt to feel and investigate the quality of time, with references to Jonathan Crary, Paul B. Preciado, Charles Baudelaire, and Walter Benjamin.

The second issue of the Cahiers du centre national du graphisme (National Graphic Design Center) is about typography (new edition).

Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

The use by artists of objects coming from the collections of museums of art, science, and society.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Tetsuo Furudate's new album, featuring Keiko Higuchi and Olga Magieres.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

Issues 31 to 34 of the critical review dedicated to graphic design.

A hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani's Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture.

In the age of "post-truth", Spike busts the line between fact and fiction open, untangling the politics and implications of crafting (and being crafted by) narrative.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

First monograph on artist and photographer Aurélie Pétrel.

First monograph on artist and photographer Aurélie Pétrel.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

A retrospective of the last ten years of the Italian artist's graphic and sculptural work, often deployed in extensive programmatic ensembles concerned with memory and archaeology, a sense of history and passing time, that highlights his major contribution to the reconstruction of a trans-Mediterranean imaginary.

Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A dialogue between the philosopher and the art historian around the encounter.

An in-depth study of the elaboration of the functional architectures-sculptures of the American artist of Iranian origin Siah Armajani (1939-2020), between utopia and pragmatism, allegorizing as much the ideals as the contradictions of the American democracy before being dedicated to figures of the anarchy.

Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Drawings and paintings.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

Limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.